2019-06-12 - That one time when Graham's player was like "Sure, I'm cool with something dark" and lived to regret it.

Graham learns the REALLY REALLY REALLY HARD WAY just how fucked up this town really is. 🙁 Note: There's some gruesome shit in this log. Just be forewarned.

IC Date: 2019-06-12

OOC Date: 2019-04-23

Location: Gray Harbor/Outskirts of Gray Harbor

Related Scenes:   2019-06-13 - Is Dream VD a thing?   2019-06-15 - Bubber

Plot: None

Scene Number: 339

Social

Graham was pretty deep into something important when the phone rings. The harsh reality of being the bitch of a criminal mastermind means that when the phone rings that certain kind of ring? Graham better answer it, or risk getting a bullet to the brain. The message was simple: he's needed in the club, so he needs to come now. And also get in his car. At least the weather outside isn't so terrible, although it's a moonless night.

Well, at least 'something important' can't say she didn't know what she was setting herself up for, 'cause Graham done told her repeatedly! After just a terrific amount of profanity and some dithering - he should just stay here and finish doing something important and get killed later, because what kind of life is this?! - he pulls on some clothes and scampers out the door. Then comes back in the door, because he forgot his keys. And his wallet. Annnnd his phone. "I'm a fucking mess tonight." Kiss-kiss, and he's finally off to the races. He rolls down all the windows, the fresh air will do him some good and cool him down before he has to go do whatever it is he has to go do.

Plus, he smokes in the car, and - in his mind - this keeps the smell from sinking into the upholstery.

<FS3> Graham rolls Perception (7 7 6 3) vs Who Dis (a NPC)'s 2 (8 6 4 4)
<FS3> Marginal Victory for Graham.

At least 'something important' doesn't complain. Haha, JK, there's probably a lot of complaining, but he gets off without too much trouble and is allowed to get his clothes and leave. And come back. And get kisses. And then leave again. Funny though, that the streetlight outside of the nice house on Oak was on when Graham left the first time, and is now off when Graham leaves the second time, blanketing the car in shadow. In fact, all the streetlights were off on this street now. But electricity in Gray Harbor was never the most reliable thing, and Elise's house had the lights on, so maybe there was a maintenance guy fucking off.

Graham rolls down the windows, but there's no breeze until he gets the car rolling down this pitch black street. He gets to the corner before he notices a black Cadillac without its headlights on, creeping down the street after him. It turns when he turns, and doesn't use its blinker. What an asshole.

The streetlight thing was a bit of a brain-tickler, it's true. Graham eyeballs a couple of them, but it's not like he works for the city or is some kind of electrician, so fuck it; somebody else's problem. He lights his cigarette, eases the car on down the street, and adjusts the rear-view with his eyes on this completely normal Cadillac that's tailing him with the lights off. And that's when he remembers that the other thing he forgot was his pistol, so that sucks.

But it's only two blocks from here to the club. (Mind, it's only two blocks from anywhere to anywhere in this town but yeah.) He keeps a weather eye on the car that's absolutely going to be a problem, he can just tell, and makes his big, heavy car that he loves mosey on down Oak, turn onto Maple, and aim toward the club. Where the lights better be on, or he's about to turn this around and call Felix back to be like 'wtf boss.'

<FS3> Graham rolls Drive (5 4 3 3) vs Black Caddy (a NPC)'s 6 (8 8 7 6 2 1 1 1)
<FS3> Crushing Victory for Black Caddy.

<FS3> Graham rolls Driving (6 6 5 4 3 3) vs Black Caddy (a NPC)'s 6 (8 7 6 6 5 4 3 1)
<FS3> Victory for Black Caddy.

It was only two blocks to the club. Wasn't it? Sure it was, it's two blocks from anywhere to everywhere in this town. But Graham must've forgotten his brain at home along with his pistol, because he thinks he turns onto Maple yet he's on Bayside Road, cresting the hill. He should be able to see the Bay from here, at the top of this hill, but all he can see in the moonless, light-less distance is something akin to a black, inky swamp that rolls along the horizon. And it's when he crests the hill that he shouldn't even be on that the Cadillac behind him hits the gas and slams his front end into Graham's back end, and not even in that sexy way.

The sudden ass-reaming sends Graham's car straight down the hill. It's a very steep hill, and Graham's gaining speed at an incredible rate. The speedometer races past the 50, past the 60, straight through the 80; he should maybe hit the brakes before his car winds up in the bay.

<FS3> Graham rolls Driving: Good Success (6 6 6 4 2 1)

Okay. Sure. Sometimes, on the way to work, a person checks out. That happens to everyone, and Graham can excuse himself for this because he's got a lot on his mind: the girl left at home, the lights out, the cigarette, the gun he forgot, and now this person tailing him onto a street he didn't mean to be on in the first place. So that's how he rationalizes having overshot the two-block drive and wound up on Bayside, doing eighty in a car that takes forever to brake.

He doesn't have ABS in this car, just to really complicate things, so he eases on those old-fashioned brakes, waits for the tires to skid... eases back off the pedal. It's a whole thing, being able to not just lock up the brakes and skid right off the fucking road. Granted, getting rear-ended in a rear-wheel drive car makes it tricky to keep the thing going exactly how he wants it to, but at least he can slow it down! All while suffering the penalty of having a classic car with no Bluetooth, and thus being unable to just be like 'hey, Siri, pls call Andre for me.'

Basically, this car would be easy as shit to drive off the road if he wasn't a better-than-average driver.

Graham gets the car under control, thank goodness! Go Graham! It was some solid handling, everybody should give Graham a round of applause. Surely nothing can go wrong for him after a roll like that.

The car comes to a rolling stop right along the bend in the road. His headlights pinpoint on the welcome sign, but NOW LEAVING GRAY HARBOR has been spray-painted over. Now it reads: YOU CAN'T EVER LEAVE THIS FUCKING TOWN GRAHAM in neon orange. Kinda weird, huh? But at least that black Cadillac was gone; it never crests the hill, it doesn't come racing after him. Maybe he realized Graham was too good of a driver for him to face off with.

<FS3> Graham rolls Alertness (5 5 4 4 3 3 2 2) vs Lolfate (a NPC)'s 15 (8 7 7 6 6 6 5 5 5 5 5 5 3 3 2 2 1)
<FS3> Crushing Victory for Lolfate.

Count the seconds that tick by while Graham sits with his headlights pointed at the welcome sign. One, two, three, four..

The high-beams of another black Cadillac cut through the endless darkness, reflecting off Graham's windshield. The car is coming too fast, it's headed straight for him, and all he can do is count those seconds until collision.

Five, six, seven -

CRASH!

The black Cadillac slams its front end into Graham's. Does this car even have an airbag? It doesn't matter. He knocks his poor head on something anyway, and he's out. The endless darkness surrounds him now.

There's no telling how much time has passed before he comes to. But when he does, he's not in his car anymore. The darkness is replaced by a single headlamp glaring down, the light so strong that Graham can feel the heat from the bulb. He's in a small room with a concrete floor. He's on a wooden chair underneath that white light, and his hands are behind his back; in spite of the heat from the light, he can feel the cool kiss of a metal bike chain around his wrists. But hey! he's not bleeding; in fact, his clarity is crystal-clear, not even a remote fog from the concussion he should've renewed.

<FS3> Graham rolls Composure: Good Success (8 6 6 5 5 4 4)

Whoever spray-painted that on the sign? Graham gives them the finger. You know, seconds before another car comes and wrecks his beloved Malibu, and the last thing he thinks before impact is FUCK THAT GUY. No airbags. His recently concussed head knocks back against the headrest, then forward against the steering wheel, and his lights go right on out.

Then come back on beneath that glaring bulb, and he hunches his shoulders away from it, turning his head so he catches the majority of it in one eye instead of both. A knock of his head forward gets some hair across his forehead, too, anything to cool that right down. Now then. Eyes adjusted, he takes a momentary survey of his environment, turns his wrists in the chains, and does what he does best (or worst): starts fucking talking bullshit. "Hey! Hello out there? Hello, hello. Hell-o. Aaaaannnybody home?" And so on and so forth. He can do this all night.

The only thing that answers him back at first is himself: "Hello, hello, HELL-o," comes his echo that shouldn't be; he can't really tell the size of the room with the light glaring the way it does, but he can tell the ceiling is low and there isn't enough room here to make an echo. Besides, there was something off about his own returned voice; surely, he didn't always sound that snarky, that sarcastic. The returned hellos were almost mocking.

Above his head, the light begins to move on its own volition; there's no wind, no breeze, yet the chain that hangs the lamp from the ceiling gives a metallic rattle, and the lamp itself starts to sway, rocking the path of the light back and forth.

From behind him, he can hear footsteps. The faint click-click of expensive shoes on concrete. But whoever owns those footsteps soon materializes in front of him, as though he were born from the shadows that twist and creep beyond the tiny spot of light swinging above his head. "They said I shouldn't bother, that you didn't shine like the rest of them. That you were nothing, nobody," it was Mac that steps into the light, shadows licking at the heels of his expensive Italian loafers. "But that doesn't matter, does it? 'cause this is personal," he smirks. "How you doing Graham? Those chains comfortable enough?"

Graham's been around this town long enough to have heard stories about its weirdness. For twenty-five years, they've mostly managed not to touch him. So as long as that light stays up there? Continuing to not touch him? He can make his peace with it, just looking up at it like he's making a mute treaty: you do you, light, and he'll do him. Despite how obnoxious he sounds, he keeps up the hellos-and-heys until...

"Holy shit, Nutless? What the fuck are you doing, man?" He squirms in the chair, reeling back from the sudden apparition (that he totally justifies as having crept up on him while he was staring at a light-bulb, like idiots do). "Look, man." Keep talking, G. "I'm sorry about your balls. Ball? Whatever, I definitely never intended for you to shoot off your nuts, singular or plural. All right? So let's just - c'mon, there's no way Felix signed off on this." Better to cut him off. He'll keep going. "He'll have your dick if you don't lemme out." Etc.

The light is completely innocent in all of this; leave the light out of it. It'll just stay up here, steadily swaying on its own. Creak. Creak. Flash. Flash. Creak. Creak.

It's Mac that Graham should concern himself with. Mac, who cants his head and grins a sickly wide smile as Graham runs his mouth. Mac who snorts a laugh when the threat of Felix comes into play. "You think I need to ask Felix for permission, Graham? Who the fuck cares about Felix? He's allowed to exist because They let him exist. But he's nothing, nobody. Just. Like You." Mac waves a hand, spins a finger in the air in a tight sort of motion; and around Graham's wrists, the chains cinch, metal biting into flesh. "Well. Not entirely like you. He serves a purpose. What purpose do you serve, exactly? The purpose of running your stupid fucking mouth? The purpose of fucking my daughter without a condom?" Those last few words boom out of him, and Graham can hear the echo of a memory; his own voice, mocking and overtly sarcastic, as he said those same words in the parking lot not too long ago.

Graham's eyes get enormous for a second. Like, stunned beyond belief large. While Nutless Mac is talking about Felix's lack of value. "You're so fucking dead," he says, almost like he's sorry to be the one to have to break that news to the guy. He's not sorry, but he puts just a touch of regret in his voice, to make it properly irritating. Like, if he has to listen to himself be a smarmy prick? He may as well go full throttle. A hiss of breath comes in through his teeth, and he shrugs as much as he can with his hands chained behind his back. It'd be better if he could lift his hands to show the two fingers to Mac; he can't, but he still wiggles them behind his back.

This is the point at which Graham accepts he's almost definitely going to get tortured and then shot in the head, so he may as well do some collateral damage. "Twice, actually. Well, I mean, one time, she just blew me. Gray area, but I figure it still counts."

Graham raises those two fingers behind his back and the chains suddenly strangle his wrists, cutting off the circulation to his hands. Maybe his fingers will stay like that, extended forever, until his hands fall off from how tight those chains are gripping him. Those words - you're so fucking dead - leave his lips but they somehow don't extend past him; instead, it's like the words themselves hit some kind of invisible barrier, jump back, and whisper frantically back into his own ear. You'resofuckingdead you'resofuckingdead YOU'RESOFUCKINGDEAD. Mac just tips his head to the other side, brows climbing. "What did you say?" his grin widens.

And it doesn't falter when Graham makes the point about Mac's daughter. It certainly tightens, along with his jaw, but the grin doesn't fade. "It's all right," he says with a shrug of his shoulders, in a tone of voice that suggests it wasn't very right at all. "I made it a point to teach her a lesson. Maybe I'll teach that lesson to your girl, too. Elise, was it? Pretty young thing, mm-hmm. Would look a lot prettier with my cock in her mouth." The smile fades so that he can purse his lips contemplatively. "And her ass." And he turns on his heel and heads to the edge of the light. "And her pussy. And whatever other hole I can carve out of her." And then he steps out of the light, and melts back into the shadows, but his voice is still heard all around Graham. "Would you like to see her again, Graham? My darling little girl? The one you defiled? The one you ruined."

Tight-voiced with the chains pulling on his hands, Graham counters, "Yeah? I'd wear a rubber, if I were you. She's definitely got chlamydia now. Hey, just like your daughter, they could probably swap prescriptions." Behind him, he rolls his fingers into a fist, squirming a little like he might be able to... wriggle... outta... these... chains. While Mac's getting to the question about defiled. "First off."

He turns his head to try to chase the sound of that voice, leaning here and there, like he knows the guy's still here somewhere. There's a quick shake of that turning head, an attempt to clear the fog - fucking concussions, man. 🙁 "If you're giving me the option, then no. I don't wanna see her. Second off, I think defiled is a little harsh. Your daughter - what's her name again? Mary? Molly? Anyway, Marcy was definitely a goddamn slut way before I got in there. Third off," he probably doesn't have anything, but he'll think of something if given the opportunity to keep running his lips.

<FS3> Graham rolls Athletics (7 7 6 2 2 1) vs Abitha's 3 (7 6 6 5 2)
<FS3> DRAW!

<FS3> Graham rolls Athletics (8 6 6 4 4 3) vs Abitha's 3 (8 7 6 4 3)
<FS3> DRAW!

<FS3> Graham rolls Athletics (7 6 6 4 3 1) vs Npcmac (a NPC)'s 3 (6 3 3 3 2)
<FS3> Victory for Graham.

"HEATHER!" Mac's voice booms from behind Graham now, and without notice, the wooden chair that Graham is strapped to whips around. It's a disoriented feeling, but somehow he doesn't fall off of it; he might experience a touch of whiplash though with how violent the turn is. "Her name is Heather. Go see him, angel, show him what he did to you."

Nothing steps into the light, but the lamp above Graham seems to flare brighter. It extends the boundary, chasing the shadows to the very edges of the room, and halos around a figure once hidden. Naked and covered in filth, Heather was once a beautiful girl. But now chunks of her once-silky blonde hair have been torn out, festering scabs in their place. Her feet are bloodied, torn, and it forces her to walk with a shaky limped gait. Her nipples have been cut off, the skin now sewn and puckered; and someone has carved the world 'WHORE' across her flat stomach, the blood still dripping from the wounds. Her eyes are black, the life gone away.

But what is, perhaps, the most dramatic of changes is the horns that have been sewn to her temples, carved and twisted and dipped in fresh blood. Blood that drips as she walks, stumbles towards Graham. She says nothing, but she groans and moans, muffled because there is something in her mouth.

At least the chains have loosened around Graham's wrists. They aren't off, but they are getting there.

Thanks for that. Graham needed whiplash on top of everything else. He reels and teeters, makes a strangled noise somewhere between 'aahh' and 'oww' when the chair brakes - only to slam the flats of his feet to the floor, trying to shove this chair backward from what used to be a girl who he woulda swore was named Mary but is apparently named Heather so who was Mary? Yanno, anything to keep his mind occupied and not on that.

But. Hey. Congrats to Mac. He finally took stuff so far that Graham is rendered speechless. He blinks at this, uh, person a couple times, gaping, then keeps trying to foot-push the chair backward and pull his arms out of those loosened chains. Come on, he can do this. Mostly, he keeps his eyes turned up to the weird light overhead; he'd rather his vision filled with spots of visual purple than have to look at this wrecked girl.

"Aren't you going to look at her?" Mac was there now, revealed by the spread of the light, on the very outskirts. "Don't you have a shred of fucking decency? Look at her! Look at what you've done, look at the life you've ruined! Look at her so you know what I'll do to Elise once you're dead. Or maybe I'll keep you alive just long enough so you can look at her, too," he sneers.

Heather shambles closer, another muffled groan causing deep crimson blood to spill from the corners of her mouth. But why does she have a mouthful of blood, one might ask? Well, that's about to become readily apparent when she's close enough to Graham that she's almost over top him. Because she spits in his face.

But what she spits is not just blood. From her mouth she expels a tiny sack of slimy, blood-covered flesh and it flings through the air to smack Graham right on the forehead; it slides down his face, over his mouth, and comes to rest on his chin. Maybe he won't know what it is, or maybe he'll realize right away that it's Mac's ball, the one that got shot off.

Heather collapses at his feet, her head slamming into his crotch. And she starts to gag, and heave, and convulse, until she vomits blood into his lap. Well. She vomits blood, and then gags and chokes until something else comes up her throat to spill into Graham's lap. Something he should be incredibly familiar with. It's long, it's big.

It's his penis. Severed.

Graham kicks at this insane thing. Like, he puts his foot flat against her carved-up stomach, and he shoves with everything he's got. Maybe it'll push her away. Maybe it'll make his chair tip over. Whatever, he doesn't give a fuck right now, as long as it accomplishes something other than him being chained to this chair while a monster that literally choked on his dick throws up blood all over him. He keeps trying to wriggle his arms out of the chains, pulling against them, twisting his hands around to try to slip them loose, writhing shoulders to make something give. Something's gotta give.

And he squeezes his eyes shut hard. Because he obviously hit his head. He hit his head, and he's got a concussion, and aaaaaaaaaaaany minute now, the paramedics are gonna roll up and shine that little flashlight thingie in his eyes. The ambulance ride'll probably cost him about ninety-thousand dollars, but fine, that's fine, he'll pay that. Maybe the paramedic will be hot. Oh shit, Elise works at the hospital; she'll totally be there, so that'll work out, things will be fine. All this is what he says in his head, because he's too terrified to even spew words now.

Heather crumples to the ground when she's kicked, her purpose done. The penis that she choked on and vomited back up seems to keep itself attached to Graham's lap in spite of the thrashing he's doing. On the floor, the Heather-thing groans again, her voice meek: "Graham... Graaaham.. help.." she makes wet coughing sounds, gagging sounds, and her voice warps. It's not Heather's voice now; it's Elise's: "Graham! Graham, please," she was begging, crying. And it's that voice that continues, Elise's constant cries, echoing through his head, twisted with Mac's laughter as the click of his Italian loafers draw near.

"Open your fucking eyes, asshole," he sneers; but even if Graham doesn't do it on his own, it doesn't matter. His eyes are forced open, and the strange world around him seems even stranger. Because now Graham can see Mac's glimmer; it's no bright aura, but darkly gleaming, the reflection of pale moonlight upon a thick, swampy-black bay. It's twisted an awful, but he can see a glow from himself too, radiating gold off his hands. Not bright, no, but just a faint shimmer of something new.

"What the fuck?" Mac utters aloud, looking around himself to where the shadows writhe. There's a sudden burst of excitement in the air, electric-like tingles as though something was on the verge of sparking. Deep within, there's encouragement that drowns out Elise's cries coming from Heather on the ground: make him hurt, Graham.

And he can't explain it, but there is a surge within him, a sudden over encompassing desire. He can make Mac hurt, Graham can make Mac believe anything he wants him to believe.

Behind his eyes, Graham knows this is just a dream. It's a seriously fucked up dream, but he figures... that's probably normal when you get, like, two concussions and whiplash all in the same month. The Elise-voice makes him grind his teeth and hunch his shoulders toward his ears, pull his neck down, try to raise his arms enough to at least muffle one side and keep the sound out as much as possible. Come on, chains - though why? Like, if it's just the nightmare he's having while he's unconscious on the side of the road, why keep trying to get his hands loose?

That's a mystery for some future-Graham to worry about.

Current Graham keeps pulling, and current Graham turns his open eyes toward Mac. Spoken slowly, like if he can just stir those shadows into obeisance, talk them into showing Mac this story he's telling, "What the fuck, Nutless, is I'm gonna get out of this. Then I'm gonna put a bullet in what's left of your daughter. And I'm gonna make you fuck her corpse. And the last thing you're gonna feel? Is what it's like to come inside your daughter's lifeless body. Knowing full fucking well that the last guy that was there before you? Was me."

Or Mac is going to shoot him in the head now for getting lippy again. That could be how this all ends. But alllll Graham has to do is get one of those links on the chain to break, just one. And he will beat this mother-fucker to death and then, he's pretty sure, he'll wake up. 😃

<FS3> Graham rolls Mental+5 (8 8 5 3 3 3 2 2) vs Npc Mac (a NPC)'s 2 (8 6 5 3)
<FS3> DRAW!

<FS3> Graham rolls Mental+5 (8 8 6 6 3 3 2 1) vs Npc Mac (a NPC)'s 2 (4 4 4 2)
<FS3> Crushing Victory for Graham.

As Graham starts to encourage the shadows, the light above his head flickers. The swaying of the lamp stops suddenly, and the circle of light that they are standing in begins to shrink. The shadows start to move, writhing with frantic energy.

"No. Nonono, what the fuck?" The color drains out of Mac's face; his gaze fixes over Graham's shoulder, a blank stare, as though he were watching something happening behind his eyes. He stumbles forward, towards Graham and the Glimmer and the light, while the shadows start to nip at his heels. "Stop. You're nothing, you're nobody! I will tear off your dick and feed it to your girlfriend, I will shove it down her throat and -- NO!" Mac snatches the gun out of his waist, points it at his daughter's head, and pulls the trigger.

Her head explodes, her brain splatters across the concrete floor, and across Graham's shoes. The shadows seem to all jump together at the BANG! of the gun, and there's whispering in Graham's brain: push him, push him, just a little further.

Through it all, the chains around Graham's wrists slack. But does he really just want to run out of the room? Especially when he knows he just needs to push a little more, and Mac won't hurt anybody ever again.

No, dude. Those shadows are barking up the wrong tree. Graham has some issues, and revenge is one of his favorite things, but this? This is way too twisted for him. He reels back when the gun goes off, his eyes widening, the chair tipping onto its back legs when he gets his feet flat on the ground. Feeling the chains loosen just enough, he stands hurriedly, brushing - dude, he's not even gonna think about the thing he just brushed off his jeans and into a wet, plopping mess on the floor. He's just not ready to square with that yet. There's some extra twisting, some dragging, and he gets his arms free.

"You're so fucking fucked," he says - to Mac, we can assume, but there's no heat behind the words, not now that he's got some sort of agency of his own again. He doesn't mean to talk the guy into this. It's just what he does. Yanno, for a living. Convinces people to do shit they shouldn't. "If I were you, I'd eat a fucking bullet. Because when Felix hears about this twisted shit? He's gonna roast you and eat you. Take the quick way out." His skin crawls while he back-steps toward... uh, come to think of it, how'd he get in here? How does he get outta here? Whatever, he'd rather keep backing away from this toward anything else.

It is painfully obvious once Graham frees himself that Mac was no longer wholly 'here'; he was wherever the shadows have taken him mentally. Wherever They have taken him. Wherever Graham has taken him, with those words wrapped in illusion and flying like a movie reel on the inside of his eyes. "No, no," he utters again, his voice breaking; tears fall in fat globs down his cheeks, onto his daughter's blood that stains the floor. He sinks to his knees, the gun in his hand, trembling as his wrist turns inward.

But there is one moment of clarity. One single moment where the fog lifts and Mac meets Graham's eyes. "Felix is nothing to us. To Them," he utters again, a terrified tremble in his voice. "He's just a tool, Graham. He should be afraid of us." He gulps, sobs. "He should be afraid of you." And with that realization, he does what Graham says. He puts the gun into his mouth, he pulls the trigger, and his brain splatters out from the hole that opens in the back of his head. There's one more moment where his eyes stay on Graham, and Graham can see the life snuff out, before Mac's body slumps over his daughter's. And he is dead.

This is the part where Graham should wake up, right? But as the shadows rejoice, and the blood soaks into the concrete, Graham remains wholly awake.

<FS3> Graham rolls Composure (6 6 5 3 2 1 1) vs Fucked Up Shit (a NPC)'s 11 (8 8 6 6 6 5 5 4 3 3 2 2 1)
<FS3> Crushing Victory for Fucked Up Shit.

Graham gets out, "You're fucking nuts, man," before that gun goes off, and he physically recoils from it. Like, he skitters backwards several steps, tripping over the loose chains with his heels, and not bothering to try to right himself. He lands on his ass, teeth chattering violently while he reaches for the empty chair, one half-hearted attempt to pull himself upright made. Then abandoned. He reaches up, runs his hands backward through his hair, and laces them at the base of his skull, bleary eyes passing over this disaster.

Shaking breaths at least keep the full-blown nausea from overcoming him - nope, nope, they don't. There go the contents of his stomach, heaved right onto the floor, with blood and brain-matter and Mac's testicle and apparently his own phantom penis. What's a little barf on top of all that, you know? Here's a pep talk, just for himself. "Get your shit together, G. Get your shit together, and get out. All right? All right."

Knees first, then feet, then he's heading for the... door? Is that a thing? This isn't just like the room where he stays trapped till he dies, right? 🙁

Of course there's a door, you dolt. It's right over there ----->

It opens easily, that door. There's no lock, no need to pull. Just turn the knob and he's out, the crisp night breeze with just the faintest smell of salt from the Bay filling his nostrils and chasing away the scent of blood, vomit, and severed balls and penis. The door slams shut behind him, something invisible pushes him forward, and Graham finds himself...

... standing on the sidewalk of Elise's house, the street lights on, the moon hanging full in the sky. His car whole and safe, still where he left it before this adventure began. Himself covered in blood, in brains, in the slime of Mac's nut, the memories unquestionably vivid. And now he sees why this town is Weird, because the man from the B&B across the way is staring at Graham and he's got a Glimmering aura around him; it's bright, it's pure. And for just a moment, Graham can feel what that man is feeling - overwhelming sympathy pouring out of him, incredible sadness. That man shakes his head, turns away, and walks back inside of his house.

Yeah, well. Graham heard that guy has his sister tied up in the attic, so maybe he doesn't want that dude's sympathy, asshole.

He smears a hand over his face, where cold sweat has taken up residence, and he presses a hand to his stomach, where bile keeps churning up toward his throat. His hands continue checking various parts of his body for their in-tactness: he has a face; a stomach; his heartbeat's still there, he can hear that one in his ears even before he puts a palm over it; cool, his junk is still attached, that's reassuring (though he gets a little awkwardly handsy with himself, making sure both nuts are still in place, whew); and -

"Shit. El? Elly? Elise?" This once he goes tearing ass back into the house. With absolutely no game-plan for how he's going to explain this shit. Should be fun.


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