2019-06-15 - Bubber

Elise finds out that in the future, she gives birth to a cast member of Children of the Corn. Also, she gets Glimmer and shit.

IC Date: 2019-06-15

OOC Date: 2019-04-25

Location: Addington Memorial Hospital

Related Scenes:   2019-06-12 - That one time when Graham's player was like "Sure, I'm cool with something dark" and lived to regret it.

Plot: None

Scene Number: 363

Dream

Has that candle Elise is burning at both ends completely melted yet? It's got to be getting close by now. Between her dad, her actual job, her side-job, and the guy that falls into bed at two in the morning... She pries herself awake when the alarm goes off, has to deal with the aforementioned 2 AM guy being dimly awake, get herself up and ready, and get out the door in time to make it to the hospital. To face what turns out to be the single least eventful day ever. Half the staff wound up watching soap operas in the lounge all day, doing crossword puzzles, catching up on paperwork - anything to make the time pass.

That's life though, isn't it? Hurry up and wait. Hurry up and wait.

Elise is waiting right now. Her shift's over in a half-hour, and she'll have to swing by her parents' because her mom has been ON ONE today with the constant texting about coming over after work, they want to have dinner, she cooked, and Elise just knows it's a fucking fix-up, but she's going to have to go, or this will never end. Tic tic tic goes the clock.

And that's when some kid - like, maybe four years old - walks up to the desk at the nurses' station, completely unattended. He's a toe-head, that kind of white-blonde hair that little kids get, wearing his jammies with a hospital blanket wrapped around his shoulders. He look terrifically pale under the fluorescent lights, his grayish hazel eyes shadowed as if from sleeplessness. He looks at Elise and asks, "Are you a doctor?"

It certainly was almost melted, that candle she was burning. She'd only been running on about three hours of good sleep when Graham fell into bed last night, and it's sort of gone downhill from there. It was exhausting, she was exhausted, and she's had just about enough with her mother and all the goddamn buzzing that her phone was doing. But she was there and present, not doing crossword puzzles or watching soap operas, but instead sitting at the station with her elbows on the counter and staring at the text she hadn't yet sent to Graham:

'Do you want to go to dinner at my parent's house tonight?' it reads. Her thumb hovers over the 'send message' arrow, knowing if he said yes and she brought him, it would cause so much drama. And knowing that if he said no, it would bother her endlessly, because what were they doing even? Thus the hesitation, the gnawing at her bottom lip as she considered sending, and when she finally made the decision? That little voice peeps up from the front of the counter.

Her phone is abandoned, the message still unsent, as she leans around to look at this Children of the Corn blonde kid. "Oh, no. I'm not a doctor, but I am a nurse," she keeps her voice calm, quiet, and gets out of her chair so that she can walk around the station and lower herself to the kid's level. "Are you okay, sweetheart? Do you need something?"

"Oh." The little boy looks at Elise with a purse of his thin lips, rubbing his nose the way kids do, unabashed about the fierceness of the gesture. He does the same thing to his eyes afterward, mooshing his knuckles into the sockets vigorously and then looking at Elise anew. He brightens a little when she confesses to being a nurse, a little flush of color coming into his washed-out cheeks. "So you can help people? Could you help my mom? She got hurt pretty bad."

Turning his little body some, he shifts his hold on the blanket over his shoulders and points down the hallway toward the elevators. "They took her in there but then I got lost from her."

Instinct has Elise reaching up to the counter to snag a tissue from one of the dispensers there as the kid mooshes his fingers into his nose and eye sockets. Gross. But she has a pleasant smile that twitches at the very corners of her mouth as she presents the tissue to him. "I sure do help people," probably better than some of the doctors do, but she leaves that out. She maintains the smile even after the kid mentions his mom being hurt, though her eyes narrow in concern as she follows the direction of his little body towards the elevator.

"Of course I can help your mom, sweetie. What's your name?" she stretches back to her feet and wiggles her fingers at the kid to take her hand. "You can show me where she was, yeah? Did the doctors take her?" There's a glance backwards to the station she's going to abandon, but, well. This was sort of her job, wasn't it? Help people in need! "Come on, we'll find your mom. If the doctors have her, I'm sure she's okay now."

Yes. Kids are gross people. This kid is no different. He rubs his nose with the tissue almost as vigorously as he did with his fingers, then hands it back to Elise, all set to take her hand afterward with his gross little fingers. "My mom and dad call me Bubber because I am a big brother," he says proudly, flashing a smile full of baby teeth at her.

His (gross little) fingers are cold when they fit into Elise's palm, small-boned and clutching, with just a little heat in his palm. Drawing on her, he leads to the elevator with a great deal of surety for a four-year-old wandering around in a hospital, come to think of it. This kid looks up and down at the row of buttons inside the elevator and mashes a bunch of them with his whole hand, letting go of the blanket just long enough to light up every floor. He rolls onto his toes, eager for the elevator ride. "The doctors didn't say anything to me. I like you better than I like them. Your name starts with an E!" Clutching his blanket again, he looks at her name-tag and is, again, very proud of himself, beaming up at her.

It's a good thing there are so many hand sanitizer dispensers around the hospital. Elise doesn't let her smile dim even a subtle bit when the nasty tissue is pressed into her hand. She just chucks it into the bin beside the counter, and gets a quick squirt-squirt of the alcohol-smelling gel, rubbing her hands together vigorously before she takes the child's gross fingers. Who was, honestly, adorable with his 'Bubber' and smile full of baby teeth. Elise likes children; she spent her time in Seattle working at the Children's Hospital, and this lost one was pulling on all the heart strings. "It's very nice to meet you, Bubber. Is that why your mommy's in the hospital? Because she had a baby?"

She folds her warm fingers around his achingly cold ones and follows, unthinking about his keen sense of direction. But she does blink a few times when he presses every single button on the elevator. Fuck. "Oh, yes! It does," she taps her finger against the 'E' on her badge. "My name is Elise. Do you remember which one of these numbers was your mommy's floor?" She flourishes a hand to all the lit-up buttons, and does her best impersonation of someone who ism't vaguely annoyed.

<FS3> Elise rolls Composure: Good Success (8 8 6 6 5 5 5 2 2)

It's a really good impersonation.

"No, she got hurt. Your name is nice, Elise the Elly-phant." The boy's big eyes reflect the lights on the elevator buttons like this is just about as great as Christmas morning. "Sissy is more than one. I got a Chinese finger trap from when she had her birfday, but it was too big for my fingers. So I use it as a sleeping bag for my Lego men." Obviously, Elise's new friend is a talker. Though he shakes his head at her question about which floor they're supposed to be going to.

The elevator has an aneurysm about where the hell to start with every last button pushed. With a slight jolt, it decides the best solution is to start at the bottom and work its way up. And we all know what hospitals put in their basements. Ding! The doors slide open to the brightly lit hallway leading to the morgue doors.

OF COURSE the boy says, "This way!" And clutches his blanket over his shoulders, pulling on Elise's hand insistently and starting down that quiet hallway.

Look at that composure roll, Elise doesn't mind the talk. In fact, there's a lighthearted laugh that escapes at the boy's nickname for her. "My best friend calls me Elly," but not the -phant part. At least not to her face. "I bet the," racist, "finger trap makes a great sleeping bag for your Lego men. Do you have a lot?" It was easiest to keep him talking; if his mom really was hurt, talking meant the boy would stay calm and not worry so much.

Elise reaches to grab the handicap bar when the elevator jolts, using her other hand to grip the boy's own a little more securely. The descent to the very bottom of the hospital brings a sinking sensation to her stomach, which only worsens when the boy says this way. "Oh, no, I don't think this is right, Bubber," she protests with a furrow of her brow. Though, while she may drag her feet, she exits the elevator. That'll probably prove to be a mistake later. "We should go back up to the lobby. We can ask the nice receptionist what room your mommy is in. She can look it up on the computer." The receptionist was a bitch, but she far prefers talking to Marilyn than being in the fucking morgue.

"I do! My favorite is Batman because he has a motorcycle but it's the Batcycle and I have the Joker's funhouse but my mom told my dad that I can't have the Gotham city jail even though I need it because I have the Riddler and Two Face and they need to go to jail." His story doesn't end so much as it gets derailed by Elise's insistence that they get back into the elevator.

Which has left already. The doors slid closed and it whisked right back up the shaft, stopping at all the other floors. Allllll the buttons got pushed~!

He keeps pulling on her hand. He's not strong, just a little boy, but he knows his mommy is this way, and little kids are damn stubborn. "No, she's in here. She had a sheet over her face but I still know it was her. Come on this way." Passed the little desk, where there should be an orderly to stop them, but there isn't. Through the doors that should require a badge to open, but they don't.

Into a room that should be relatively small, but is unfathomably large. It goes on and on and on. Fluorescent lights shine down on metal tables, glint off closed drawers where bodies get slid. There's no end to the size of this room, stretching on endlessly. And there are so. Many. Bodies. In here. Every table has one, many in bodybags, but far too many just laying there on their tables.

"You could always make your own jail. That's what's great about Legos, isn't it? That you can just make whatever you want.." Elise's comment just sort of trails off as she looks behind her to where the elevator doors shutter closed. She takes in a breath and holds it until she's sure the release will come steady. But even then, there's a catch at the very end, at the little boy's insistence that his mom is here. With a sheet over her face. Elise feels that sinking sensation again, but this time it's her heart, free-falling into her stomach.

She follows even though she knows she shouldn't, the smile slipping from her face. It turns into a concerned purse of her lips when they pass the abandoned orderly station - was EVERYBODY fucking off today? - and then the frown takes over when they step through the doors just as she's fingering her badge. But here, with the bodies and the tables and the chill of the morgue, here is where she plants her heels into the floor and goes no further, giving Bubber's hand a small tug.

"Hey, Bubber? Why don't you wait outside? I can find your mommy, you just.. need to tell me her name." She tries to find a smile as she looks down at Bubber, though her eyes slide past him and over his bony shoulder, to the slabs behind. "I'll find her. But only if you wait outside. Please."

<FS3> Elise rolls Athletics (8 6 4 3 2 1) vs Bubber (a NPC)'s 5 (8 5 5 5 4 2 2)
<FS3> Marginal Victory for Elise.

With childish insistence, he says, "Nuh-uh!" If she was really a ninja, there's no way that little boy would have been able to snatch his hand away from her like that. But she's not a ninja, just a nurse, so he pulls his hand back and starts to run on his little feet, velcro-sneakers making slapping noises against the tile floor of this endless morgue. "Mommy! Mommy!" He runs through aisle between these cold, metal tables, through the fluorescent-lightened endlessness of this refrigerator-cold room.

He's not fast. She could chase him. She probably should chase him. Or else leave a four-year-old alone in the morgue? I mean, no one would even know if she did that, just left and went back and clocked out and went home to have dinner with her mom and dad and maybe Graham and definitely her mom's latest attempt to fix her up. No one would judge her.

Better make a decision quick, though, because he's pattering away, heading for wherever his definitely-dead-mom is. At least he seems to know right where he's going! Among all... these... bodies...

Dammit, on the one day where it would pay to be an actual ninja, Elise's thai kung-fu doesn't manifest out of nowhere. "Bubber! Wait!" There was no consideration given to not chasing this child through the morgue. Sure, it was a fucking morgue, but she wasn't even going to pay a single thought to leaving this kid here. So the only alternative was to run. Good thing she wears some speedy kicks, even if her white nurse sneakers were an eyesore.

Thank goodness he's four and therefore has stubby legs. She locks eyes on his Children of the Corn white hair and chases after him. "Hey, Bubber! Just calm down, we'll find her, I promise! I'm here to help!"

She keeps up with him. But she never CATCHES up to him. He patters ahead of her, calling out for his mommy now and then, never seeeming to lose his breath, despite what seems endless running. The door is a distant speck should Elise look over her shoulder, shrinking smaller as they pass more and more and more and more of those tables with their bodies on them.

They were just shapeless masses for the most part. Dead people that Elise has never seen, that mean nothing to her. But then there's one. One she knows. Among the countless bodies, a face flashes in her eyes and recognition lights in her mind. Mac. Nutless. Dead on a metal table, the hole in his head and everything. The tag on his toe says '$$' on it.

On the table next to him, there's a body bag. The body bag is zipped closed, but it's been compromised. Horns poke through the fabric.

Just how fucking big was this morgue, and how can a four year old have such endless energy?! "Bubber, please!" Elise exercises, she does yoga, she goes to the gym - but there's only so much darting between metal slabs of dead people that she can reasonably do before she starts running out of steam. She just happens to run out of steam somewhere close to nutless - err, Mac - and the sudden glimpse of him there on the table with a bullet in his head and one ball missing stops her dead in her tracks.

She knows she shouldn't lose sight of this too blonde kid in the morgue, but it really was only so big. Eventually the room has to end, and she won't lose him forever in here. Besides, Mac's presence catches her off guard, her breath hitching in her throat. "Bubber," she calls out, all while her attention drifts from Mac to the other body bag, where the horns poke through the fabric. "Bubber, please come back and let me help you." Her voice sounds weak to her own ears. She takes a shaky step forward.

It's wrong to open up body bags. She doesn't belong down here. She takes another quick glance about the morgue, trying to see if she can put eyes on Bubber's blonde head, before she reaches to finger the zipper to the horn-girl's body bag. Curiosity only kills cats, and Elise is not a cat, and maybe putting eyes on this girl would put some realism to Graham's story. Her hand shakes, but she starts to unzip the bag.

She can still hear his footsteps pattering around in here somewhere. They echo back to her ears, faint and fainter but never gone completely. The little boy is here, but so is his mommy, and there is no way Elise is going to deter him from getting to her. Definitely not because her morbid curiosity has her stopping to violate a corpse.

The bag unzips. The body is exactly what Graham told her it would be: mutilated, gruesome, this girl that was probably pretty before her father carved her up and put a bullet in her. Peeling back the bag sticks it to the horns a little, and they pull away from her temples, dragging on dead skin, delaminating it so one horn pops off and stays stuck in the bag.

"Hey!" It's not the girl. It's Mac. He pushes himself clumsily upright, his dead-white skin bruised purple all along his back where his blood pooled. "Hey, I know you. You're Graham's slut. Hey, fix this for me." Nutless is the one that speaks, turns, shows her the exit-wound in the back of his head. But it's the other body that grabs her wrist with fingers colder even than the little boy's were. Milky eyes open, muffled noises mmfph in a mouth that opens full of sticky, coagulated blood.

"Fuck her," Mac says brutally. "She's a stupid whore, fix me."

<FS3> Elise rolls Composure: Great Success (7 7 7 7 6 4 4 3 1)

Look, judgey meta. This was not violation, she was just unzipping the bag to look and confirm that her best friend maybe boyfriend wasn't actually crazy. It never occurs to her that she should just rely on the very reliable news article that came out in the Gazette about this. She doesn't even recall that the Gazette specifically said these corpses were brought to Olympia, so how could they even be here? But regardless, she was going to open this goddamn bag, Bubber be damned. He was here somewhere, that was the important part, she hadn't lost him yet.

The bag unzips, and the horn falls off, and Elise claps her hand to her mouth. Pale almond skin gets a vaguely sickening green twinge to it, but she holds in noodles she had for lunch earlier. "Oh god," she muffles against her palm, and she realizes that she just needs to zip this bag back up and find Bubber and get the hell out of dodge just as the corpse-cold hand of Mac's grips her wrist and jerks her around.

That great success means she doesn't projectile vomit all over Nutless and the hole in his head. She instead pulls back, trying to yank her hand out of Mac's own. "Fuck you, no, get off of me!" she shouts, and she knows it's crazy to yell at a corpse, but is it crazy to yell at a corpse that's calling you names? "BUBBER! GET THE HELL OUT OF HERE!" she raises her voice, while trying to yank her hand out of Mac's grip.

Okay, well. Since the meta already got called judgey: Wow, the half-Thai chick had noodles for lunch? Color the meta shocked!

The sudden shouting was a bad decision. Throwing up would have been wiser. Elise's voice echoes in this endless hall of corpses, momentarily blotting out the sounds of the little boy's feet clapping around on the tile. "Relax, bitch. All you gotta do is fix my head and - " The hand around her tightens, gripping around her forearm, leaving cold, deep bruises in her skin. The remains of the girl looks at her with milky, dead eyes and makes more of those sounds at her, mmmmmphhhhmph mmmph?!

At the next aisle over, another body stirs, pushing groggily upright. This one is familiar but this guy... this guy's not dead! Lukas Collins blinks at her like someone waking out of a long nap, his throat opened from ear to ear, his spine visible in the gash. "Shit yeah, you came to fix us! I knew this bitch was all-up-on." He's missing teeth. His face is misshapen. But it's the slit throat that did him in... does him in? The toe-tag that dangles from his foot when he swings it over the side of his table says 'DUMB.'

Racist.

"Bitch? BITCH? Who the fuck are you calling a bitch, Nutless?! The only thing I'm going to fix is --" Elise starts to clap back. That great success means she has composure for days; she's not going to let a couple of zombies bring her down. But her big words fail her when another body sits up, and she puts eyes on Lukas Collins. " -- No," the strangled word crawls out of her throat, her eyes widening. She jerks on her hand, trying to pull it from the tightening grip of Mac's, but her stare is fixated on Lukas now.

"No. No no no, you're not dead. Graham didn't kill you, I saved you, I helped you even when I shouldn't have!" This has to be a dream. Did she fall asleep at the nurse's station? Her eyes start to fill with water as she flails about helplessly, and tries to look for something she can stab Mac with. Or cut his arm off with. Certainly there was some kind of scalpel or something around here somewhere. "Let me go! Wake me up, this isn't REAL! You're still alive," she says that firmly to Lukas, she needs to believe. And then she turns to Mac, and spits right in his face. "And you're fucking dead."

No scalpel. Just bodies and body bags. Going on forever. Endlessly. "We're all fuckin' dead, you stupid bitch. I'm dead, he's dead, he's dead - " Lukas Collins throws his thumb over his shoulder, were more bodies stir to life, sitting up on their metal tables. Shadows mask some of the faces, and some of them just don't mean anything to Elise. More nameless corpses. But that flickery fluorescent light hits her father's face, not much older than he looks right now. And her mother, with heavy, overwrought eyes that seek out Elise. Their faces are purple with bruises, her mother's much worse than her father's. When she opens her mouth, asking for help in Thai, all of her teeth are missing.

" - she's dead, you're dead." The fingers pull insistently on her arm...

<FS3> Elise rolls Melee (7 6 5 3 1) vs Heather Or Mary Or Whatever (a NPC)'s 4 (7 7 6 6 5 3)
<FS3> Victory for Heather Or Mary Or Whatever.

...and pull her closer, close to her choking face. There's no scalpel, no way to HURT these bodies. But c'mon, Elise. Try hard and you could give her a little slice. It's not like she's not already all fucked up!

"I wish you were fucking dead, you piece of shit," Elise sneers back to Lukas, and she's going to spit in his face too for good measure. "You're only alive because of me, because I didn't tell him everything. He should've ripped off your dick and choked you with it, he should've -" Oh, such strong words. She's found them and lost them again, because as this is coming out of her, her father sits up. And then her mother. And Elise loves her parents, truly and deeply, in spite of her mother's fixation on her marital status. Her throat cinches up, and there's nothing more than a whine that crawls out of her, a desperate whimper.

Then there is the pull, and in spite of her dragging her heels, she's coming closer to that woman who really shouldn't be choking anymore, not after she vomited Graham's dream penis onto his lap. "Please, please please, I don't want to hurt you, you didn't do anything wrong," she begs the woman, because it's not like this devil-horn creature was anything more than a victim.

But Elise.. Elise wasn't good at playing the victim. If she was going to cut anybody, if she was going to HURT somebody, she was going to do it to Lukas. So while she pulls, and she pulls SO hard..there's quite a lot of thought given to cutting Lukas' dick off right now.

<FS3> Elise rolls Spirit: Success (8 7 2)

Did we cover the fact that all these bodies are butt naked? That's how they lay them out in the morgue, so that's how they all are. Elise wants Collins' dick to get cut off? There it goes! But it's not as satisfying as it should be. There's no delightful squirt of blood or even scream from the 'man' when his penis just... falls off... and lands on the floor in front of his table. He does gape at it, then lifts his dead eyes up to Elise's - before he laughs right in her face. "What the fuck did you think that was gonna do? Goddamn, I thought I had myself a smart piece of ass, but you really are just a dumb bitch." Her mother's voice stops, the pleading changed to scandalized gasp - her little girl just cut off a man's parts?!

The plop-noise in the new silence when that hunk of flesh hits the ground stirs another, deeper in the room. They're all sitting up now, all their toe-tags - Elise's parents' tags both say '$$' on them, but others say 'DUMB' or 'KNOWS' or 'ACCDNT' on them. The big body of Andre sits up somewhere deep in there, a little older but it's hard to tell with a guy like him. He's one of those guys that will look young till he just suddenly looks old one day. The bullet straight to his heart did for him, though, and he shouts, "Hey! I swiped right on you! Or left?" He gets confused. "Hey, could you fix this hole for me? It stings."

In the way back, that little boy voice cuts through all of them: "ELISE! I found her!" But Heather-Mary is still trying to choke-plead with Elise to mmmphh mphh mpph?! Her fingernails are starting to pierce Elise's skin now, the bloodless, bony things digging deeper with increasing panic.

Let's be honest, Elise had no clue what she thought that was going to do. Except in spite of how not satisfying it was, it was still pretty satisfying to see his dick fall off. Too bad she can't force him to choke on it. Those thoughts were for later though, much later, assuming she wakes up from this terrible nightmare. There's a yowl of pain as the dead woman's fingernails bite into her skin, and she twists with pain. "I'm coming, Bubber!" she calls out into the morgue and all the dead people that are sitting up now, but there's a tremble of uncertainty to her voice. Was she really? Would she even be able to get out of here? Get them both out of here?

But something Andre says makes her think. It hurts to see him like that, to hear her mother's judging gasps. But this poor woman, she was so desperate to say something .. and if she could hurt, maybe she could help? So with her free hand, she lifts it up, and puts her palm to the dead-cold forehead of this poor woman. "Please God," she utters, a few tears falling as she winces her eyes shut, and tries to fix whatever's wrong with this woman that's preventing her from SAYING shit.

Sometimes, things work. Because they have to. Whatever Elise is doing works, the sputtering in that woman's throat increases briefly, and a gasp of thick, black blood spews out of her, bubbling across her face and into a stewy pool in the body bag beneath her. "...me! Daddy, don't! It wasn't me! I never did, I don't know, don't don't don't!" Her insistence continues in a blabber of nonsense, and Mac fumbles to the edge of his table, shoving Elise away with both hands, pushing all fourteen pounds of her roughly into the aisle. "I told you to shut up, you stupid slut!" He grabs the dislodged horn and begins the process of violently stabbing and bludgeoning his daughter's dead body with it, fumbling and clumsy with his own rigor mortis causing some issues here.

How far away was that little boy's voice, though? Was it right there? Just beyond Collins, cracking the fuck up about the dick that he leans down and nudges with his toe, making it roll around on the tile? Just on the other side of her parents, her mother turning to her father and sobbing in a horrified way? Or passed Andre, who is sticking his beefy finger into the open hole in his chest, fascinated but also going, "Ouch!"

Something has to give. In spite of her awesome composure, and it really is awesome? Elise loses the noodles she had for lunch, right after she's thrown to the ground by Mac's fumbling shove. Maybe it was the black soupy mess that came out of Heather-Mary's mouth, or the violent stabbing that she feels responsible for. Either way? There was puke, and it was by the grace of God that she was even able to tear her eyes away. "God, help me," she utters up to the ceiling, tears streaming as she pushes to her feet. To her mother: "I'm so sorry," but there was more heart in that apology for Andre, running past the both of them to try and find that tiny blonde adorable baby. "Bubber, I'm here! Where are you?" she touches Andre on the arm as she rushes past, cold and dead as he is, trying to will that hole to close if she can. But her main focus has to be on Bubber.

Because he was real, and everything else wasn't. Or so she has to believe. "Bubber! Hey, keep shouting so I can hear you, please!" she scrambles towards where she feels she last heard his voice.

And sometimes things don't work. Andre's wound doesn't close itself - which is probably for the best, since his finger is stuck in it right now. But he smiles a big smile at Elise anyway, saying something about thanks for the effort, but is Elise even listening? She's listening to the little boy, who is saying, "Over here! Look!" More rows. More corpses. Many of them stay laying down, unmoved by the commotion, but a few sit up and look at her. The rich guy that Elise vaguely knows, the one that owns the apartments by the beach? His tag says '$$.' And the little computer nerd - has Elise ever met her? Well, hers says 'INFO.'

The little boy is there with more people that Elise knows. Graham must have made it a few years, some crow's feet at the corners of his eyes now, but he took one in the temple, just like he said he would. Bubber sits on the edge of the table on one side of him, book-ending Sissy who sits between her brother and Graham, her chubby little legs dangling, no visible wounds. Graham's like all the other bodies - cold, bloodless, stripped bare, with a toe tag that says 'BIGMOUTH' on it. But the little kids are wearing their jammies, and they're hunkered beneath the hospital blanket like they're fine, playing a giggly game. And give him credit, Graham was right: they're cute fucking kids.

The tables still go on endlessly behind them, full of faceless forms. Except the one. The one that the little boy points to: "Found her." Elise's tag says 'FAILED' on it. "You can fix her, huh?" That little boy believes in her! "'Cause you're a nurse, Elly-phant!" He smiles his baby-teeth smile.

Elise can't worry about Andre now, nor about the rows of other corpses. Her vision was swimming anyway, from the sting of tears that want to leak down her cheeks. But no, she can't cry, she has to focus; focus on that little voice, the excitement, not on the corpses of the people she vaguely knows, getting up to stare at her. "Oh, God. Bubber, thank God," she utters in a little voice when she finally sees his pale white head, and she gets about two steps forward before she sees Graham there on the table between the two most adorable children ever .. and immediately falls to her knees.

"No. Nononono," she covers her face with her hands and muffles a wail, pushes her fingers through her hair afterward and forces herself back up. She doesn't even see herself at first, she's got her eyes fixed on Graham and the hole in his head. "No, Graham, God no," her voice trembles as the sobs shake through her, and she touches his cheeks and his hair and tries so hard to fix him even though she knows she can't. Even though she knows she'll fail. She hasn't even gotten to her tag yet, hit by the realization that the two most adorable children she's ever seen were..

"Bubber," her voice aches, and she kisses Graham on the forehead before she goes, tears streaming, to put her arms around these kids. To squeeze them and hold them and touch their chubby legs and cold faces even if they aren't real. "Yeah, I'm a nurse," there are no happy faces, just more tears. "I'll fix her, I promise." It was all lies. But she kisses their heads and moves towards herself there on the table, her knees shaking and legs like jelly. But she finds the tag. And she wants to repeat what Mac and Lukas had said to her earlier: she was a stupid bitch, a dumb bitch, how could she let this happen? Her fingers curl around the tag on NotElise's toe and she rips it right off, and it's with some absolutely grim determination that she wills this paper to fall apart in her hand. Because no. "No. I won't. I won't fucking fail."

Whatever lesson Graham was supposed to learn must have finally gotten through, 'cause he's a fucking mute now. (Or, likely, there's no tongue behind his mouth. But Elise doesn't need to know that. She can get the one free pass.) He sits silently, doing no more than putting a hand on top of little heads and turning them back the other way when they try to gawk at what this nurse is doing to their mom's body back there, like nope - you guys just keep looking this way.

There's no bullet hole in her own body. But her skin is loose and watery, and the toe that had the tag deforms when she rips it off like that, bending juicily. Her voice bubbles behind the sound of her muffled complaint, choked like Heather's was, watery and insubstantial. She smells fishy, unpleasantly salty, and there are deep rope-bruises on her wrists and ankles. When she pushes up, gallons of water pour out of her and splash onto the ground at the real Elise's feet. "Help," she coughs and chokes, pleading with herself, floundering bonelessly forward and reaching out to the still-alive self.

The toe-tag flutters in the air, spinning lazily around itself on the air-conditioned, freezer-cold air in here. It lands in all the water. It dissolves - not like paper normally dissolves, this happens fast and entirely, one second a soggy toe-tag, the next second a cloudy bubble on the surface of the water. Her own clammy, watery hands grab for her... and they're dissolving, too, coming apart in soggy clumps and blobs.

There's one last glance to Graham, to the little heads that he puts his hands upon and turns their faces away, and Elise is all over the place emotionally. Mentally. She's drained, sickened by the way her own toe bends from pulling the tag, but there are no more noodles to throw up when her dead self rises and vomits fishy-smelling water all over her feet. "Come on!" she hisses at her boneless self, "Come on, you can't do this. We can't do this. We have something to live for!" she envelopes herself into her arms, all boneless and soggy as deadElise is, uttering quiet prayers into the air and into her own ear. "Please. Please, we have something. We have him, them, a future," she is sobbing, but she is trying. Trying to fix this, trying to will her watery self back to life.

She's trying not to fail.

The skin of her fingers slides loose, and her arms feel like limp water-balloons when they floop around her living waist. Gelatinous, wobbly, and the sickening smell of wet and dead comes with every sputter. "...help. Please help. PLEASE HELP." The musty smell of old water keeps filling her nostrils...

...and the musty smell of the carpet in the lobby keeps filling her nostrils. "Please help!" the little kid is saying, screaming the high-pitched scream that only kids seem able to really hit. This isn't her child. Blonde like hers was - will be? - but he's not hers, not Bubber. Just a kid on a gurney, wheeled in on the heels of the woman already being rushed down the hallway, with the EMTs still there. "Car crash," one of them tells her, shaking his head. "Mom's not gonna make it, pretty sure." He says right in front of the little boy, whose lip wobbles and whose cries increase frantically.

The boy is hurt, but it's not a hurt that will end him. It's a small hurt, a cut on his forehead, a bruise on his lip. "Please help," he asks pathetically.

Elise wanted to smack herself, shake some sense into herself, why was her self turning to liquid in her hands? "I'm trying, I'm trying, dammit!" It was stupid to yell at herself, but hey, she was clearly cracking up and not waking up so it was just time to go with the flow. "Knock this shit off! You have something to live for. We have something to live for! I have something to live for!!" But before she had a chance to slap deadElise (and probably turn her into a puddle for realsies), the musty smell of the carpet in the lobby was assaults her senses.

Her eyes go wide. Was she at the station again? She looks down at her hands, which were just seconds ago gripping up deadElise, and then blinks to the boy that was blonde like her child but wasn't hers. "Bub.." she starts, and then her attention whips to the EMT. She's still tear-stained, she probably looks like a damn wreck, but she shoves her hand into the EMT's shoulder and shoves him as hard as she can. "You're an asshole," she hisses to him, for saying what he says right in front of that poor little boy, and then turns to the child. "It's okay," she was shaking, but she wipes her tears and brushes her thumb gingerly along the cut of the boy's forehead. "It's okay. I'm a nurse, I'm going to help. My name's Elise." A pause. "You can call me Elly. I'm gonna help you and then I'm gonna help your momma, okay? I promise."

It's a terrible thing, to promise something to a child that you aren't sure you can actually fix. But she musters up a smile for him, in spite of her tears, and she prays she can hold it together long enough to do what all these fucking doctors can't. She wishes that little cut on the boy's head mend itself together, and then she turns on her heel and rushes after the gurney. Because maybe she can wish his momma better, too.

<FS3> Elise rolls Spirit: Success (7 3 2)

The bruise on her arm from Heather is still there, the cuts from her nails still sting, red-rimmed and faintly bloody and Elise just knows those are going to get infected. Her stomach is empty, noodle-free, still churning nauseously. So now is when Elise gets to fight that endless loop: did it happen? will it happen?

The little boy hiccoughs and nods, grabbing for her hand with warm, sticky fingers that are definitely real and definitely alive. "Okay, Elly, but don't say bad words or you have to eat soap." He wants to sit up, but they have him pretty well strapped to the gurney, so it's just his wide, wide eyes when the cut on his forehead goes away, and he's young enough to accept this as something a grown-up who is a nurse can just do. The EMT is too busy thinking Elise is a bitch to notice this little act of healing, growling low under his breath while he wheels the little boy away.

His momma... doesn't look so good. But the little doctor is there, the shiny little doctor, and his eyes attach to Elise's for a moment, wide, surprised. They don't have time to get into this shit right now, so he just beckons her in hastily. They have medical stuff they can do, and maybe... maybe that's enough to get her to a place that, between them, they can solve what's left over.

<FS3> Elise rolls Medicine: Great Success (8 8 7 7 6 6 5 5 4)

Fucking wow, Elise. Way to run the room. 😃

Elise privately wishes the EMT would die in a fire but she's not going to say that out loud. She'll just glare at him on her way after the boy's momma, giving not-Bubber a quick thumbs up before he goes. The shiny doctor's wide-eyed look of surprise is given right back to him when she sees the fact that he's fucking shiny, but there will be time for that later. Right now? Well.

Right now, it's time for Elise to show everyone in this room who's the boss. She's gonna nurse the FUCK outta this lady.

And when it was all done, when she was sure that woman was going to make it and that she hadn't failed? Elise finds her phone where she left it on the nurse's station. With amazing efficiency, she types out a quick message to her mother in Thai: I can't make it tonight, I have to work. Next Thursday instead? I'll bring a date. I love you, mom.

But there was nothing efficient about how she contacts Graham. Because she's drained and scared and emotional. So her voice breaks when he picks up, or his voicemail does: "G? Baby. I'm okay, I'm not hurt, but I need you to come pick me up. I think whatever happened to you... happened to me."

<FS3> Graham rolls Driving: Success (7 5 4 4 2 1)

She lives. Because, otherwise, this has all been for naught. It'll be a long recovery, so Elise will have plenty of time to get to know this woman who was just trying to get some groceries. Her own mom is... enh... irritated that she won't be coming over today. Why else did she send 10,000 texts?! Is this acceptable? Is this how you treat your mother?! But that's just normal mom-histrionics, not 'dead in the morgue' mom-histrionics.

The good thing about Graham - other than him being quite pretty - is that all he says on the other end of that phone is, "I'm on my way." And will be there in, like, nine minutes. Tops. And only because he gets stuck at one of the fucking stoplights by the park. He lays on the horn - 'cause he'd run the light, but the truck in front of him won't. Anyway, he gets there. Without dying in a car accident.

Graham will find Elise out on the curb, her phone on silent because she can't stand her fucking mother. And she'll get in the car without saying a word; she just takes the liberty of shifting his car into park, climbing over the stupid middle console, and hopefully does not knee him in the balls in her attempt to plant herself in his lap. She lays a kiss against either of his temples, bursts into tears, and tucks her head against his chest with her ear pressed against his chest. She's going to tell him the whole story, all of it, but right now?

Right now, she just needs to hear that he is alive. So she's going to listen to his heartbeat in the car, crammed between him and the steering wheel, and he's just going to have to deal.

Dude, is Graham allowed to park here? Hospitals have all kinds of weird rules about where you can park and where you can't. He worries about this for about half a second, after he gets over the shock of Elise being... different. Knowing someone backwards-and-forwards (THAT'S NOT A SEX JOKE, I SWEAR) and then one day they walk out of a building and they shimmer like that? Takes a minute to get over. Apparently, this is not a minute that Graham gets right now, since it seems important that he put arms around Elise, smoothing her frazzled hair for her.

Also, he's definitely not silent through this, so no worries, nobody cut out his tongue or anything. The things he says are unimportant, though, just about how it's all right, baby, she'll be all right, "We'll figure this shit out, we always figure shit out." IT JUST SOMETIMES TAKES THEM NINE YEARS.

There were no minutes for either of them. Just this, this moment, with her ear glued to his chest and his heartbeat drowning out the words he was saying. She needed this minute, this stretch of time with his arms - warm! alive! - around her, and his heartbeat in her ear. And when she was satisfied that he was okay, that this was real, she reaches up and grabs him by the ears and tugs him into her for a kiss that was by no means appropriate for sitting outside the hospital in plain view.

It's only after her lips are numb from that kiss that she tells him, her watery eyes on his. She tells him everything, in as much detail as she can, though she gets a little choked up at the part where she finds him dead, and a whole lot more choked up at the part about their fucking gorgeous kids; but her eyes never leave his. She tells him of the glowing doctor, and woman that she saved. And at the end of it all, she has only one question: "What the hell happened to us, G?"

Graham is good for the kiss. It's not like she got hit in the face with Mac's nut, so he doesn't even have to be grossed out. Truth be told, he'd be good for a whole lot more than just a kiss, regardless of the parking situation, but now's not the time for that, so yeah. Down, boy. Everything that follows... that's a hard story to hear. There's good old-fashioned pain and sorrow in his features while he listens - man, these two have a lot to learn - and even a few soft apologies said into her hair here and there, arms tight around her, anything to not dwell on the aching brutality of what these two have been put through.

Ultimately, though? "I dunno. I think? Yanno how people are always saying this town fucking sucks? And how it's full of crazy people?" He looks for her eyes with his, and he smiles ruefully at her. "Kinda thinking they might be on to something."

Yes, down boy indeed. They don't need to be making little Bubber in a car in the middle of the hospital parking lot. She soaks up the attention that he gives her - the soft apologies, the arms around her, the warmth of his skin against hers when she leans in to touch her forehead to his own, and she really wants to cry but has no more real tears to do it with. So ultimately? "I think you're right," she whispers, her brow wrinkling against his own, and she sighs as she pulls away to sit back up again. "The doctor might know something. Something more," she gnaws at the corner of her bottom lip. "He's short but I guess you can't hold that against the guy? Marilyn did say he's shacking up with some mental patient or something? But Marilyn just talks and I... I don't know. The way he looked at me.." she shakes her head.

And she's quiet, for a moment. Long enough to watch his eyes and try to find something there. "I'm not.. not gonna fuck this up," it's a quiet promise. "I'm not.. we're not going to end up like that. We're going to figure out how to not end up like that, G." Don't ask her how, she just wasn't going to allow it. And there was one other thing she wasn't going to allow:

"And we're not going to name our fucking kid Bubber, and I'm getting him that goddamn Gotham prison."

There's a laugh from Graham about the mental patient bit. "A'ight. You talk to the doctor that's fucking the lunatic, and I'll talk to the dude that's banging his sister. I'm sure they know exactly what's up." <-- That was sarcasm.

There's no clue from Graham what she's looking for, but he looks back at her without flinching. He cups her chin, and he leans his forehead to hers, and he believes her. Unfortunately, he's not capable of sharing that belief with her - goddamn Glimmer n00bs - but he says with soft certainty, "You never fuck things up, baby. If anybody's getting us through this? It's you." He squeezes her into a hug, and he manages to bury another laugh in her hair, quietly pointing out that Bubber? Kinda sounds like brother? Maybe that's what their kid ("holy shit this is a weird conversation") was saying?

Whatever. Ellybean and G would never name their kids anything stupid. They will have awesome names, like LAZER and SOPHITIA.


Tags:

Back to Scenes