2019-11-01 - The Stranger

Alexander, with an incapacitated Isabella, runs into the mysterious organist from the Cartajena-Carmichael wedding.

IC Date: 2019-11-01

OOC Date: 2019-07-28

Location: Bay/Reede Houseboat

Related Scenes:   2019-10-31 - Masquerade: Dearly Beloved   2019-11-01 - How To Chain Your Dragon

Plot: None

Scene Number: 2451

Social

Whenever Byron Thorne drops off Alexander Clayton and Isabella Reede at the docks, he'd be left carrying her, but at the very least, given his training and his newfound strength, she's light and almost boneless in comparison. While her eyes remain open, she is for the most part unconscious. Her dark-haired head rests his shoulder arms and legs dangling off the suspension bridge he makes with his arms and body. It's a short walk, from the parking lot and towards the boat.

The moon remains full, pregnant with white-blue illumination that washes over the vague shapes of other vessels, and reflecting starkly off The Surprise's pure-white color, as if a beacon in the darkness, or a blade slicing it apart. Despite the frantic activity of the evening, in this part of Gray Harbor, at least, it is silent and still, save for the creaking of wood and waves washing against sand and fiberglass - most of the fun and trick-or-treating is happening elsewhere, oblivious to the ruined wedding. Luckily, by all accounts, James and Maria have elected to stay together in spite of the horror that has been visited upon what should have been the happiest day of their lives.

It could be a trick of the mist, but as he gets closer to his destination with her in tow, he'd find the mist-shrouded shape of a tall man, his silhouette rendered even taller by the top hat he wears, the shadows it casts obscuring his features save for how the moon lines the cut of his jaw - clearly a man. Gloved hands rest on the rail leading to the Boardwalk, with eyes obscured by nonsensical obsidian lenses - it's dark, and so foggy, how he manages to see through them is a mystery.

"Found your feet, did you?" he says, amiably enough despite his whispery tenor, as if he just hadn't caused whatever damage he intended at the Church. "Heartening, in a way. It isn't every day that someone almost gets me."

Alexander freezes when he notices that tall figure in the mist. His arms are full of Isabella, his body is aching and trembling from the electrocution, and there is likely a beautiful Lichtenburg scar along his shoulder where the bolt struck him. None of which he mentioned to anyone, because then someone might have tried to take Isabella from him. Now? Now he is feeling the sinking sensation of consequences for that poor decision making.

With his usual method of dealing with enemies locked away from him, for the moment, Alexander is forced to rely on social skills. God help us all. His voice is rough, his eyes narrowed and watchful, trying to make out the figure of the man through the fog. "I guess I'm almost proud of myself, then." A pause. "Who are you?"

There's a smile. He'd be able to sense it, instead of see it. The top-hatted man lowers his head and smothers a chuckle somewhere in his collar. "Ah," he says. "That would be too easy, even for me."

He unfolds himself from his easy lean, turning until he's facing Alexander in full, but the mist cooperates strangely, blanketing him until he can only spy a vague detail or two; the pocketwatch chain that curls up into his waistcoat's pockets, the trim physique, and long legs rendered even longer by platform shoes - like a spider masquerading as a man. It's a costume, in the end, but one that he wears well - especially when it obscures the physical details that an investigator would take note of immediately. It could be deliberate, or an extremely lucky coincidence. After all, they don't know each other.

But his face remains shrouded. Moonlight glints off those dark lenses.

"I didn't take you to be the Camilla of the group, asking me immediately to unmask. But I suppose you can call me an..." He waves a gloved hand vaguely. "Involved citizen, if you will. And there's plenty of things to be concerned about in this little town, don't you? Still, you all performed your roles magnificently." His head tilts slightly. "Does it hurt?"

And by the tone he uses, he does not mean Alexander's physical injuries.

As the top hatted man shifts, so does Alexander. He pivots slightly into a more defensive posture, and adjusts Isabella's body as well as he can to protect her from any possible attack, while still keeping his eyes on his new 'friend'. His narrow, trying to penetrate the mist, but it doesn't work, and as always, his expressive features reflect both his frustration in that and his watchful, calculating attention. "I'm not much interested in drama. Mysteries are to be solved as quickly and cleanly as possible. You unmasking would be preferred, even if it isn't...narrative enough, for you."

There's a grimace at the man's title for himself. The question makes him still. But Alexander rarely fails to answer a direct question, and he's not a man much taken with lies. So, "Yes," he says, quietly. "It hurts." Of course, he's also clever and curious, and always quick with an answering question, "Does it hurt you?"

"And yet you manage to understand the reference, or at the very least what it infers, so I gather you read a lot in spite of it." The top-hatted man's whispery tone even sounds pleased. "Are you a detective, then? A police officer? Only one would undertake such a pragmatic view on puzzles." He'd sense the smile through the mist. "Shall I be the Moriarty to your Holmes?"

It's rhetorical at best because he's already moving on, a contemplative noise emanating from his high collar. "Hm? The bullet? Oh, yes." There's a laugh. "It hurts like the dickens, but it's nothing that won't go away, with time. Don't despair the pain too much, regardless. What is it that thing that people are often fond of saying? What doesn't kill you makes you stronger? Or what doesn't kill you now will kill you later? Mm...I think the latter might be more accurate. Are you fond of accuracy, Mister Holmes?"

"I didn't mean the bullet," Alexander replies, still watching the other man. He shifts his grip on Isabella again, taking all of her weight on his un-zotted arm, so that he can reach up to her neck and find the pendant there, lightly gathering it between his fingers. "And I'm very fond of accuracy. For example, I'm not Sherlock Holmes. I'm Alexander Clayton." Because names are important. "So. What is it that you are involved in? Wasting ridiculous amounts of energy on ruining a wedding? Nice production values, but deeply petty. Compensating for romantic failures?" If it's meant to be a taunt, it's one that's laid out with a deadpan sort of voice.

"Well, forgive my presumption, because it does hurt." The man rolls his shoulder gingerly. "But if you mean whether the failure hurt, I wouldn't consider it as such in spite of your meddling. Not really. After all, you need to be alive in order to experience joy, don't you? Happiness, love, a life together, and the pain that follows in witnessing with your own eyes how it can be stripped from you so easily, and so nonsensically. It would have been counterproductive, I should think, if the bride and groom had died."

He'd sense his surprise, but he recovers quickly; another laugh, though it is one that barely carries - the mist gives it voice and weight despite the low tone. But he still sounds pleased. "I read somewhere that True Names grant power over the subject if someone knows them. Perhaps you shouldn't be so eager to give that away, Mister...Clayton. Especially to one such as me."

A hand reaches to the side, bracing it against the rail; the deadpan taunts, or straightforward questions, merely intensify the smile he can sense through the dark. "The amount of energy expended was ridiculous, but to call it mine, or completely mine, would be an exaggeration." His head dips, and Alexander would finally see it - how he focuses on the woman in his arms.

"She burns like a star, though whether it's one that's about to come into being, or one that's about to collapse, I can't tell just yet," he murmurs. "Pity, though, that she'll never be what she could be. I think I would enjoy seeing that, but alas. We can't always have what we want." His head lifts to focus back on him. "Have you tried to crack her head open like an egg, yet?"

That smile broadens. "Would you like me to?"

<FS3> Alexander rolls Composure: Good Success (8 8 6 2) (Rolled by: Portal)

Alexander does not drop Isabella's body on the dock and attempt to murder the tall man, and probably no one in the world will ever know just how hard that is for him. It's not that his fury at the offhand suggestion isn't obvious; his face twists with it, his muscles tremble with the need of restraint as much as they do with the aftereffects of the lightning and the effort of holding an adult woman in his arms for an extended length of time. But his voice is deliberately soft as he says, "I'd rather you didn't. As for my name, it's easily found, and I'm not so easily bound as all that. Is there something that you'd prefer to be called?"

In the same even tone, he adds, "You should probably leave town. However 'involved' you're feeling."

Anticipation fills the air; he can taste Alexander's bloodlust and the investigator would know that he wants him to. Wants him to try. Wants him to drop his precious bundle and launch himself into every effort to satisfy it. Gloved fingers drum lightly on the hidden pocketwatch in his waistcoat, toying with the chain, suddenly restless with the need to do something.

But Alexander doesn't rise to it and the disappointment is almost palpable. The top-hatted man sighs, and clicks his tongue against his teeth. The drumming of his fingers cease.

"Well," he begins, perfectly affable still. "You and I don't know each other. Until tonight, we were strangers. There's a good ring to that, I think. Stranger. It encompasses many things, and all quite appropriate. But should I, really? Leave town? Why is that, Mister Clayton?"

He asks the question as if he knows the answer, but is willing to throw the dice as to whether Alexander will answer him anyway.

"Peregrine, then." Alexander's voice is even. "I'll name you Peregrine. You should be pleased; it's a bit more dramatic than just Stranger. Don't you think?" Somewhere, people who know of his antipathy for nicknames are twitching, and they'll never understand why. He stares at the other man, calculating and memorizing. The silence stretches, as he watches every movement he can make out, taking in every bit of data the fog will allow him to gather. "And you should leave town, because if you don't, then one day someone is going to kill you, if you can be killed." It's said very mildly; there's no particular bragging or posturing there, just a quiet statement of the facts as he sees them.

He takes a couple of steps down the docks. "Ah. I should ask. To be polite. Was there something you wanted, Peregrine, or are you just lonely?"

One day, someone is going to kill you.

"That's what I thought. Perhaps that would be you, Mister Clayton." It almost sounds wistful. "Perhaps."

Peregrine gestures vaguely with a hand. "Nothing in particular, I like watching the moon over the water, and it's just not as pleasing watching it over Gray Pond - macabre place, that. Coming across you and her was in many ways a coincidence." Another smile, and one that bares his teeth; it flashes disconcertingly in the dark. "But I suppose only the foolish and the uninitiated still believe in such things, around here. I'm certain you agree that under the right light, conversations can be terribly illuminating."

He pushes away from the railing at that, turning around and adjusting his hat, pulling it lower over his forehead. "For what it's worth, I'm glad she isn't too terribly harmed. She caught my eye, and I couldn't resist....a sign, I think, that you and I probably have more in common than anyone would initially surmise." He angles a look over his shoulder. "May we never meet again, Mister Clayton."

There are other words, left unspoken, but perhaps it's the way he says it that implies the rest: But we will.

With a breezy wave, his back turned, the man steps back into the mist and lets it swallow him.

"I don't like killing people," Alexander says. He considers the weight of the woman in his arms. "But I might make an exception."

Despite that, the fury that flashed earlier has drained away, leaving a creeping exhaustion and that ever-gnawing curiosity behind. He's not in any way convinced that he could kill Peregrine, certainly not in his current state. His features pull tight at the idea he and the tall man might have anything in common, but if the hit is a true one (and it is, because Alexander is always quick to think the worst of himself), he manages to avoid rising visibly to the bait. "I never mind a good conversation, but I suggest you try harder. To resist. In the future."

He doesn't argue with the parting, or its implied counterpoint. In fact, his slow nod seems to encompass both points. He watches with dark eyes until he can see nothing more of the man. Then he turns and carefully takes Isabella home.


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