Bad decisions lead to consequences. Them's the rules.
IC Date: 2019-12-14
OOC Date: 2019-08-25
Location: Somewhere
Related Scenes: 2019-12-17 - Turkey Sausages in Parmesan Tomato Cream Sauce Over Pasta, With A Side of Bad Decisions
Plot: None
Scene Number: 3247
What Alexander finds through the flower's petals is a stretch of road that he would find familiar - the Lonely Highway winds away from the city's heart and out of Gray Harbor, like some trail left behind by its constructors to spell either salvation or doom for a weary traveler. Especially these days, it would be - he knows that the B&B in which he first met Catherine Levenson is just down the road, and that the forest trail leading to Blackwood Manor is nearby.
He would have to walk through another forest trail and into a clearing where he would find a dilapidated house. It's not much to look at - the fence has long since fallen into disrepair, its darkened windows broken and its outer walls overtaken by wild, crawling ivy inundated by Autumn blossoms of different kinds, thick enough to camouflage it from view, yet another piece of Gray Harbor's past that has been forgotten and swallowed by the elements.
The moon is but a sliver above his head, emanating very little light, its crescent a sharp, glittering curve against the clouds. It almost looks like a smile.
Alexander walks the Lonely Highway, humming Ghost Riders in the Sky under his breath. It's just that kind of night. Although he's done a semi-adept job of keeping things together around other people, there's a festering anger that has been eating at him ever since Isabella mentioned leaving her houseboat due to the stranger's intrusion. The other deaths don't help, but Alexander is accustomed to ugly, unfair death at the hands of others. If it were just them, he'd probably be more rational about this. But it's Isabella, and he's quietly certain that he's at least going to try to do something that he doesn't want any of his friends to see him as capable of doing.
Mind you, that might be 'die horribly'. So he does his geographical search in secret, while Isabella is working on her things, and Isolde prepares for the holidays. Having to hide his search draws it out for a couple of days, but it does nothing to make him less filled with rage. So when he approaches the dilapidated house, his black, faded, oversized sweater is hiding that same knife sheath that Isabella found on him the other day. But the knife has been changed out for one gifted to him by August, with a beautiful antler handle. It doesn't quite hide as well as his previous one, but for this, the symbolism pleases him.
He approaches quietly and carefully, not reaching out with his mind just yet, for worry that Peregrine, if he is here, would detect the contact. He looks for signs of residence, or tampering.
The house is silent and unmoving; underneath all the vegetation is the empty husk of its former self, and the only movement and minds he can sense are the animals hiding in the woods. The cold is settling in quickly, but a few eyes and hearts remain. It's too early yet to hibernate for the winter.
But that leaves him with the distinct impression that he is being watched, though there's no hostility attached to these hidden eyes in the dark.
The front door yawns before him, as well as the broken windows laden with ivy. There's also a back door, but the single-story dwelling looks so old and worn that it even tips forward on its foundations, threatening to collapse onto him and hide its secrets before he could even breathe the air inside.
Alexander studies the house in silence, waiting for any sign or signal of someone moving around inside. When he hears nothing, it doesn't reassure him, exactly - but it does stir him to motion. He heads not for the front door, but for one of those broken windows, pausing to pull on black leather gloves before reaching up and gently running his hand through the ivy, looking for a grip to pull himself up and over that doesn't have any nasty hidden glass to worry about.
<FS3> Alexander rolls Composure (6 3 3 1) vs Scent of a Something (a NPC)'s 6 (8 8 7 6 6 4 4 4)
<FS3> Crushing Victory for Scent of a Something. (Rolled by: Portal)
As he goes through the windows, the world changes in the blink of an eye.
When he lands in what he expects is a collection of rotting wood, he would find himself falling into soft grass and earth instead, the heady scent of familiar flowers ravaging his senses. Scent triggers memory the most efficiently and he could not be blamed, if his mind travels back immediately to a few months ago, attending a certain wedding.
But unlike the interior of the church that day, where the yellow lilies were interspersed with other blossoms, that is all he sees. And as his swirling senses take in the location, his fuzzy mind will take in more details - glass and metal, fashioned like a bird cage, the air within warm and humid to keep the plants from wilting underneath the weight of the cold. The sound of trickling water is nearby. A fountain?
His limbs grow malleable as the irresistible euphoria takes over his limbs and try as he fight it, he'd feel himself sinking under, as if a warm bath had just been prepared for him. It won't be long now, until he's unable to move. And the flowers are everywhere.
Alexander isn't the Spiritualist that some of his friends are, but he's not devoid of that gift. The first thing he does is throw his thick sweater sleeve over his mouth and nose, and his next breath is a deep one, filtered as well as it can be through that fabric. Then he holds that breath, even as he gathers his ability and stretches his hands out, and sends a withering wave outward, reaching out to whatever plants he can feel and killing them as he stumbles with faltering strength towards the sound of water.
As flowers wilt at the wake of his stumble, he'd find more and more of them the further he moves into the structure. What is apparent the longer he attempts to find some respite from the scent is the fact that there's no escaping it, because this place...
...is a greenhouse.
The weight of it is oppressive, pulling at his eyelids and coaxing him to sleep. Whenever his cheek finds the ground in that last stumble, he'd hear the clatter of ebony on stone, the visible length of a walking stick and a pair of black, polished Oxfords standing a few feet away from him. A familiar voice slips through his darkening senses.
"Mister Clayton." A gloved finger taps on the heavy head of his walking stick. "Oh, dear. I'd have hoped that you'd heed my warning, at least. Do you remember the last thing I told you?"
May we never meet again.
"I'll understand, however, if it's difficult to remember at the moment, but I'll give you a few. We'll speak then." And with that, the man just wanders away, and leaves Alexander to his struggling and the suffocating mercies of the flowers until the world goes dark.
Alexander is, if nothing else, a stubborn son of a bitch. He goes to his hands and knees, turned around in his attempts to clear a space without the flowers, and then lost by the intoxicating scent in his attempt to find his way back to the window. But he can't hold his breath forever, and when he has to take another, he wobbles and he falls. It doesn't stop him from trying to bunch up and use the last of his strength to launch himself at the legs he sees in his vision, teeth bared.
Whether he makes contact or not, he's likely not to even know, because unconsciousness comes swiftly on the heels of that last exertion.
When Alexander opens his eyes again, he'd feel pressure the size and weight of a watermelon pressing into the back of his head.
The flowers are still around him, expelling their euphoric scent, gold against green and as far as the eye could see. Situated close to the fountain bearing the likeness of some monstrous and twisted thing that is all teeth and tentacles, he is comfortable at least, on some antiquated recliner with velvet upholstery, and used by enough bodies that it feels like sitting on a cloud, liable to leave a body sinking further into it at every movement.
It's difficult to concentrate, difficult to think, the longer he stays here among the flowers.
If he tries to move, he'll find that he cannot. Coils of something wind around his arms, torso and legs and it's only when he manages to recover some of his fragmented awareness that he would realize that they're moving, their sibilant hissing whispering soft in his senses. The head of one rises up from close to his left wrist; thankfully, fangs haven't been bared yet, slitted, reptilian eyes staring into his dark ones.
Peregrine, if that is his real name (it's not), is situated on a seat near his recliner, his bowler and dark glasses obscuring his features from view and his gloved fingers toying with the pocket watch that he has pulled from the flap in his waistcoat. He watches the hidden dial now and then, his left hand making a mark on the leather-bound journal resting on his lap. Long legs are folded by the knee as he writes, and whatever he's noting, he seems engrossed enough that he doesn't even lift his head when he speaks.
"I wouldn't make any sudden movements, if I were you. Do you know what asp venom does to a human body, Mister Clayton? It's less about the neurotoxin, really, and more that it constricts the diaphragm until breath is impossible." His head finally tilts to regard his guest on the recliner.
"So. To what do I owe this visit?"
"Elma. Washington. 1983. Andrew Cromwell, age...age 34. Exotic pet owner. Found dead at 7:33 AM by his sister, Emily, with several bites from his pet asp. Originally ruled a mishap, further investigation indicated that he'd had a dispute with his elder, elder brother over inheritance, and his brother had tipped the terrarium onto him, frightening the snake and provoking several bites." Alexander's voice is faltering, rusty, and slow as he comes back to himself. The recitation of crime facts does help, and he blinks his eyes slowly, focusing on first on the asp that looks up at him. "Hey there, beautiful," he tells it, with as gentle a voice as he can manage with the half-giddy half-terror feeling of imprisonment running through him.
From there, his eyes go to Peregrine, studying the man at his writing. His heart is lurching in his chest, his mind racing. He's not the kind of man to be able to pretend that he's not terrified, when he is. "When you leave an invitation, you should expect someone to take you up on it. Even if it wasn't Isabella." A pause. "I probably should have knocked. Sorry. I'm not very good with manners, in general."
Meanwhile, his mind is gently starting to reach out, as subtly as it can, to assess the state of mind of the serpents twined around him, and what weaknesses there might be in Peregrine's control over them.
<FS3> Alexander rolls Stealth+Glimmer (8 8 7 7 3 1 1) vs Peregrine (a NPC)'s 10 (8 8 7 7 6 6 6 5 4 4 4 3)
<FS3> Crushing Victory for Peregrine. (Rolled by: Portal)
<FS3> Alexander rolls Stealth+Glimmer (8 6 5 4 4 4 3) vs Peregrine (a NPC)'s 8 (8 8 7 7 5 5 4 3 2 1)
<FS3> Victory for Peregrine. (Rolled by: Portal)
<FS3> Alexander rolls Glimmer+Stealth (8 6 3 3 3 3 1) vs Peregrine (a NPC)'s 8 (7 6 6 5 5 4 4 3 2 2)
<FS3> Marginal Victory for Peregrine. (Rolled by: Portal)
"Indeed? I'm curious if you would like to suffer the same fate as Mister Cromwell, then," Peregrine murmurs, almost absently, making a note in his leather-bound journal. "Still, I've got to hand it to the human race - it manages to constantly impress me, the sheer creativity it expends in the art of murdering one another."
The cobra says nothing back when Alexander talks to it - there are more slithering around him. Several large, yellowed eyes with slitted pupils peer at him from his different limbs. None of them appear all too responsive to his gentleness.
If his host senses his terror, he doesn't make it obvious. He puts the journal away, the long, reedy frame of him leaning back against his seat. His gloved thumb strokes over the curve of his pocketwatch. "I don't recall leaving any such thing," he muses. "Though I suppose your self-assessment about your lack of manners is accurate enough, considering invitations are only applicable to those to whom they're addressed. Considering my last encounter with Miss Reede, perhaps I should have given some additional thought as to what it would look like, but I assure you, Mister Clayton, my aim wasn't to threaten her."
His smile curls up from the shadows of his bowler, glinting thin and white. "I was in the area, and I thought to pay my respects. When she wasn't home, I thought to leave her a gift - a night free from the Dreams that seem to plague many of you daily. Regrettable, that. I would have enjoyed a conversation with her, I think, without any interference. Perhaps I still might."
Is he lying? He doesn't seem to be, though at that very subtle Glimmer use, there's a slight tilt of that hatted head. The cobra close to his left wrist reacts swiftly, suddenly baring its fangs and snapping dangerously close to Alexander's face. Its glittering teeth reflecting light that seems to come from nowhere.
"For a reputedly intelligent sort, you seem to have a tremendous difficulty following sound advice, even if it might save your life," he observes. "Why is that, Mister Clayton?"
"Not really," Alexander says, in response to his desired fate. He can't help but stare at the journal. Curiosity even in the face of toothy death. He also makes a brief, agreeable noise to the comment on homicidal creativity. "Although tainting a bunch of organs to kill off their recipients isn't exactly uncreative, if we're judging."
His gaze flicks back up to Peregrine's face when the man starts to speak about his visit to Isabella's. Nothing he says seems to reassure the investigator. In fact, he goes tense and rigid at I still might, and his eyes go black with fury. It's only the snap of fangs a fraction from his face that stops him from lunging out of the chair, and his hands clench into fists as he makes a smothered, instinctive sound. He presses himself back into the chair, taking a deep, slow breath to try and calm himself, then wrinkling his nose as the sweet scent of the flowers slides down his windpipe. He also uses the pressure to see if the knife is still in its sheath at the small of his back.
The question, though, does bring a crooked sort of smile. "Intelligence and wisdom are separate constructs which do not always exist in tandem. I've never claimed much of the latter." A pause. "So. Is there something I can answer for you, since I seem to still be alive for the moment?"
"Mm. And you knew enough about the incident to determine correctly that it was me. Bravo, Mister Clayton. You have been chasing me. Though..." The next cant of Peregrine's head catches the ambient light, making the dark lenses of his glasses shine against the shadows of his hat. "...you might regret that, in the end. Should I ask what that incident, then, tells you about me? What are your conclusions thus far, detective?"
His reaction to those two words seems to amuse him, those hidden eyes falling to the way his knuckles whiten against the armrests of Alexander's recliner, making a noise that sounds almost distressingly pleased. "This is the second time you've confronted me for her sake. Are you the sort, after all? The type to destroy yourself for the sake of another? Not..." He gestures airily with his spare set of gloved fingers. "...that I'm one to judge, but I can't help but be curious as to whether this is a new development in your life or a pattern that you've always demonstrated through it."
"As for the benefits of wisdom..." The crooked smile earns him a visible smirk. "Well, perhaps you ought to learn a bit of that, before the lack of it kills you." He shifts in his seat, and re-crosses his legs the other way. "Take it as free advice, if you will, from an older man to a much younger one."
The last words Alexander utters causes fingers to drum lightly on the head of his walking stick, which has managed to stand straight against the floor whether or not he is holding it. "It depends. Are you asking me that because you prefer to be dead?"
"Investigator," Alexander corrects, with the tiniest of shrugs to not bother his many, many serpentine friends. "I don't have a license. Can't call myself a detective." But the question seems to bring him a sense of stability; he really can't resist answering a question like that. "You're dramatic," he says, bluntly. "It's not enough to hurt people, you want it to be a production. Take things that should be bright and bringing of hope and optimism, and not just robbing them of that, but twisting them - turning the very thing that was supposed to be good into despair." A pause. "Which, of course, has more ripple effects. People are going to be more anxious and mistrusting of transplants until they forget about it. And even when they forget the details, it'll still linger as a sort of subconscious anxiety and urban legend - do you remember that time the diseased organs got into people and killed a bunch of them? It's not efficient - it requires more set up and choreography than other methods, but it's...impactful. Says you're intelligent, planful, deliberate. You have enough native empathy that you can understand how best to hurt people."
Alexander's eyes go back to the journal, then the arrangement of their seating. "I feel like I'm at a shrink's office." A pause. "Except for the snakes. Those are new." But his near-black gaze meets the glasses very seriously. "I will sacrifice for the people that I care about." A pause. "What about you? What drives you to do this? To watch how the people run when you turn their lives upside down? An experiment? Or are you the director of a grand drama?"
He glances at the stick, standing straight and tall on its own. "No," he says, after a moment. "I don't prefer to be dead. If I did, there are easier ways. Seeking out someone to kill me would be inefficient, don't you think?"
"Investigator." He echoes the correction as if memorizing it and receives it with good grace, but otherwise he doesn't comment on his observations - neither confirms nor denies whether Alexander's conclusions are correct. He had put his notebook away now, but he's paying rapt attention on his captive - much like the bird of prey from where his nickname is devised. It is fitting in many ways, and the scythe-like smile that is visible under his hat does not waver.
All he elects to say to that, when Alexander reaches the end, is: "Not what I hoped you'd gather from that entire endeavor, but close enough, I suppose."
Spindly shoulders lift in a faint shrug. "All the world's a stage, and all the men and women merely players," Peregrine intones with a flourish, his smooth, but whispery tenor infusing the syllables with additional color and life that a drab recitation wouldn't otherwise invoke. "One of the Bard's most enduring observations and a fitting addition to his legend. Life is dramatic by nature, Mister Clayton, and much like any enterprising sort to be found in the world, I work with what I'm given. This confrontation, for instance. It has its own drama." He gestures to Alexander in the recliner, bound by snakes. "A man willing to throw himself in a pyre of his own making, armed only by some futile and egregiously optimistic hope that he would somehow manage to prevent any harm that would visit someone he clearly loves without fully understanding the risks, the costs, or how your closest associates would feel when something irreparable or irrevocable happened to you in the attempt, Miss Reede, included."
He leans back against his seat. "You see, I don't need to hurt you, Mister Clayton - at least, not in the way that truly matters - to hurt others. Not really." The smile switches character, the kind of expression that hides the knife slid between the ribs. "You hurt them just fine on your own."
The man in the bowler hat lets that hang, before he continues. "You said that this makes you feel as if you're visiting a psychologist," he begins. "So let's try that, shall we? Answer my questions, and every truthful answer will yield the benefit of one of my friends easing his or her grip on you. That is more than equitable, I think, when I am giving you a choice to save your own life. What say you, Mister Clayton? Are you willing to bare your mind and soul for a second chance at life?"
Alexander considers Peregrine, and lifts his shoulders a fraction. He's an active, even nervous sort of man, and sitting still is almost as much torture as the idea of getting bitten by his serpentine friends. At least animal touches don't trigger his phobia. "Sorry," he says, to Peregrine's observation. There's a grimace as Shakespeare is quoted, but it subsides into something more closed and complicated as the man with the knife-like smile continues. "You overestimate my importance to anyone," he says, his voice sharp and clipped.
Another of those breaths to prevent him from lunging into a world of snakey hurt, before he says, flatly, "Fine. If that's what you want." He's well aware that the questions the other man is likely to ask will not be gentle or pleasant ones, by the grim set of his features. But he's not in a great position right now, so..."Ask your questions." Meanwhile, he is paying attention to the environment, looking for clues or opportunities that might exist to turn this around at some point.
"Am I?" Two words that might as well be the spoken equivalent of a brow arching higher than the other. "And what would you do, Mister Clayton, if I estimated your importance to anyone accurately?"
Peregrine clicks the top of his pocketwatch in his right-hand grip. "Let's start there. What would you do, and how would you feel, you think, if you were wrong?"
One of the cobra heads slithers upwards to hover just before his face, staring at him with those yellow-gold eyes and slitted pupils.
Alexander's eyes flick to the pocketwatch. His instinctive, immediate urge is to read the damn thing, but - wise or not, he recognizes a warning when one snaps its fangs at his face. And speaking of -- his gaze moves to the cobra, meeting it square. It's not a staring contest, and he doesn't try to make it one. "I suppose I'd be afraid. For them. It's better not to get attached to someone like me. Like you said, I'll only end up hurting them." His eyes flick back to Peregrine, and he shifts in his seat, his fingers making the slightest twitches as if he'd like to be tapping them right now. "Is there anyone who cares about you?"
The cobra continues to stare, but with that question answered, one of the coils binding Alexander's torso slides away from the recliner, and slithers across the floor away from both men.
"Do you think that belief may be coloring your perception in that regard?" Peregrine asks smoothly. "Does it make it easier to blind yourself to the idea that others may be invested in you, emotionally, if you hold onto that belief?" He tsks quietly behind his teeth. "Do you indulge yourself in this manner, often? It's one thing to be ignorant, but to be willfully ignorant...? I may have misjudged you, Mister Clayton."
The words may be mocking, but there's not a trace of it on the man's voice. Instead, a blithe smile follows. "And if I availed that information to you, what would you do? Would you attempt to find this person and perhaps hold him or her hostage to secure my cooperation and compliance?"
Alexander can't resist the urge to breathe a little more deeply when that coil loosens and slithers away. The relief is a bright, sharp spark burning within him, even if it's tempered by the knowledge that, well, there are a lot of snakes. His lips purse at those pointed questions. "In order: Yes. Yes. And no." His answers are clipped, and sharp, and it looks like he might leave it there, but then he adds, "It is easier to believe that people aren't very invested in you, because then you don't feel quite so guilty when you disappoint them. Self-delusion is not a vice I indulge in in many things, but sometimes it's better than the alternative, when it comes to getting through the day."
The last question draws a genuine look of surprise, then instinctive disgust. "Of course not. I'd find that distasteful. Besides, just because someone cares about you does not mean that you care about them. If I were looking for a hostage, the correct question would be if there's anyone you care about. I was just curious."
One, by one, by one, the snakes slowly set him free. Around the torso, around the legs, though a cobra remains on both his ankles, and of course his wrists. There are quite a few left, but every question he answers, Peregrine, it seems, is willing to hold true to his word about letting him go. Fingers continue to drum absently on the pocketwatch in his grip, its hidden dial facing him - odd, however, that the dark lenses of his glasses do not mirror the details within, however faint. Light does not act the way it should here.
Or there may be another reason for the lack of reflection.
"And what is the alternative, when it comes to getting through the day? Surely an intelligent man such as yourself knows as well as any other that disappointment is a fact of life, and that were humans made infallible, they wouldn't be humans at all. Not even the Gods can boast such a state of perfection. So why are you constantly apprehensive of disappointing anyone?"
The smile returns at the rippling look of disgust. "Nobody left alive, save but one," he says, almost indulgently, as if rewarding the man for his curiosity as another particularly fat asp winds away from Alexander. "Does that surprise you, I wonder."
"And surely an intelligent man such as yourself knows that people's actions and choices are only partially based on reasoning and knowledge. Knowing that disappointment is an inevitable facet of reality doesn't make facing being a disappointment any easier on an emotional level, and much like a child burned on a hot stove who then refuses to enter the kitchen, sometimes the reaction to pain is excessive. But still adaptive, on some level." Alexander's voice is dry. He's not relaxing, exactly; it only really takes one of the snakes to have a good chance of putting him down, but there's a part of him that is enjoying the conversation.
He studies the lenses of the glasses, to see if they reflect anything at all, or if it's only the stopwatch that they hide the details of.
A shake of his head - a careful one - at the last. "No. As goes the poem, If the spirit was just, why did the maid weep? Even the worst of people, even those incapable of love, may have someone who loves them. How do you feel about them? The person who still cares about you." A snort. "And no, I'm not looking for a hostage."
"So you're a man who doesn't want to disappoint anyone, reacts so viscerally to the notion of doing so, and yet..." Peregrine gestures sideways. "You have acquaintances, I assume. Friends. Even someone who you love and who presumably loves you - enough, at least, to go on a tear with murderous intent and face me directly. Wouldn't it be easier to...not...have any of those? Then why do you elect to? Wouldn't that be easier on yourself? Easier on the others, especially if they ever discover that you blatantly disregard their investment in you in such a way?"
One snake slithers away. The man's dark lenses reflect everything else but the watch.
The last question tilts his smile upwards, a more wistful note there. "Do I strike you as a person who has any feelings?" he counters, overtly amused. "Or at least, feelings that could still be considered within the human spectrum?"
"It would," Alexander says, bluntly. He watches the snake that slithers away, then returns to the most dangerous thing in the room: Peregrine. "Be easier to not have any of that. I've done that. Expected to keep on doing it for the rest of my life. Changed my mind. The why?" He has to think about it, before he says, slowly, "The world is more interesting when you're invested in people. You can reduce most everyone to simple points of data to be studied, if you try. But as frustrating and painful as people are, I've found it...better than the quiet. Most of the time." His smile flickers, brief and sharp. "As for whether it's easier on them - probably. But I can be a selfish jerk sometimes. Whether they want to put up with that or not is up to them."
He shifts in the chair. "Answering a question with a question. An attempt to deflect. So--yes, probably." A thoughtful pause. "Is that why you're so determined to wring emotions out of everyone else - your own disassociation from them?"
"And do you believe that you can maintain any of these relationships without the necessary reciprocation?" Peregrine smiles faintly. "You seem to value emotion, Mister Clayton, and how they affect you, and the others around you, especially when you happen to be the source. I do not believe, however, that you place enough importance in the ones that you ought in order to sustain them. You'll be alone again, I think, before long...but that is ultimately the fate of every selfish man, and you seem well aware of the fact that you are."
And he would know, wouldn't he?
His pocketwatch snaps shut in his grip as the last snake winds away from Alexander - the heady scent remains in the air and now he has been freed from his bonds, to act and do what he wills. "As much as it would be personally fascinating to entertain your questions, I'm afraid this session is now at an end." He rises from his seat then, feet astride, his hand once more finding his walking stick. "Shall I send you on your way, or do you have any additional business with me?"
"I don't disagree," Alexander says, with another shrug. It doesn't hide the bleakness of his expression, that nonchalant seeming gesture. "Thank you for the commentary, nonetheless." It's very dry.
Alexander freezes when he realizes that he is, in fact, free. Calculation slides across his face, adding up odds and angles of attack. What he sees, when not fueled by rage or pain, doesn't please him. He stands up, carefully, wary of the effect that being exposed to the flowers might have had on his muscle coordination, and studies Peregrine warily. "If you were planning on sending me on my way, then that would likely be best. And appreciated."
"Which is not to say that we do not have additional business. But you know that, and I won't insult you by pretending otherwise. But," he pauses, "I'm aware that you've shown courtesy." Which means he's not going to leap forward and try to stab the man just because he's brimming with frustration. And curiosity.
And that, too, is telling.
If there is tension in the air as Alexander calculates his odds of delivering a fatal blow, the man in the bowler hat doesn't show it. But when he decides to abandon his attempts at murder, there's a quiet sound that carries the suspicious notes of disappointment and a strange, disjointed relief. It is confusing, but he can't be said to be a complicated adversary on his own, considering what the investigator already knows of him.
Peregrine taps his walking stick on the floor and the trellis laden with ivy on the very end of the birdcage-like greenhouse shifts; like verdant drapery parting, it reveals a door for him to walk through.
"There you are, Mister Clayton. Do try and have yourself a happy Christmas. It's the most wonderful time of year, after all." His smile returns, affable and even mischievous. "May we never meet again."
Alexander takes a deep breath, studying the man's reaction to the detente with his own air of thought. A frown comes, and there's that moment when he considers trying for it once more, this time just as much out of curiosity as that feeling that the man needs to die.
But ultimately, he turns towards the door and murmurs, "Better not to ask for things that you know won't happen. But try to have a quiet Christmas, yourself." With that, he moves towards the door, wary and cautious, but not actually hesitating to walk through it.
"Ah, well. Perhaps I'm not all that immune to my own condition," Peregrine tells him mildly, with an almost teasing lilt.
"After all, how could I have ever learned to be so effective, if I didn't know what it was like to hope?"
The words follow him as Alexander goes through the door, and when he steps through it and the appendage shuts, it would be silent and still once more, abandoned in the silent dilapidated shack choked with ivy, and the moon still grinning above his head.
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