2019-08-25 - Options

Officer Captain very nicely stopped by the house today. He just wanted to remind Thomas, hiccough, that he has options other than the... oh, you know. The place. Dammit, Marge! Quit hiding the vodka.

IC Date: 2019-08-25

OOC Date: 2019-06-11

Location: Wherever The Addingtons Live

Related Scenes: None

Plot: None

Scene Number: 1285

Social

Wherever the Addingtons live is nice. Their house is big, on a hill off Bayside. They have a little guard-shack at the end of a long driveway, where someone waits to buzz people through the gate to the main house. The security guard is polite - probably wanted to be a cop when he grew up but wound up doing this instead - but tacks on the warning, "The old lady won't be happy about cops coming up without an appointment," before he lets Ruiz through to the house.

Where a housekeeper waits to answer the door for him. She's very pleasant, too, but makes him wait on the front porch while she asks after what brings him, today? "I hope everything's okay."

An unfamiliar car rolls up to that guard shack, somewhere after lunch. Black, push bars mounted on the front, some kind of American muscle; looks like it wants to go fast, but its driver keeps to a fairly sedate pace. The window's rolled down once it comes to a halt, and a perfectly polite conversation ensues before the gate swings open and the car's put back into gear. Dust billows from the rear tires, carried off on the slight breeze as it pulls in to park at the edge of the terraced, manicured lawn. The cop who climbs out is in a suit and tie; off the rack, though it fits well enough. He's armed, of course, and wears a pair of aviators to keep the hazy sun out of his eyes. A quick, assessing glance is sent about the property. Habitual, really, like the dyed-in-the-wool military man he is.

Eventually he makes his way to the front door, and favours the housekeeper with a smile that actually approaches pleasant. She looks Latina to him, so he answers in Spanish, "Muy bien, señora. Estoy aquí para ver a Mr. Addington. Puedo pasar?"

<FS3> Ruiz rolls Alertness (8 7 4 4 2 2) vs Margaret's Stealth (8 4 2 1)
<FS3> Marginal Victory for Ruiz.

Although the woman almost definitely understands and speaks Spanish, she answers in very loud and concise English, "Let me just go and see if he's available, sir. Will you wait here, please?" And in very quiet Spanish, "She'll fire me if you wander off, so please don't." And lets him into the foyer before she scampers off to go find Thomas.

Who appears some number of minutes later at the top of the stairs leading down into this foyer. Very dimly, Ruiz would be aware that the room from which he exited is neither empty nor completely closed; he leaves it open a crack, so we can all be fairly confident that one Margaret Addington is up there, listening in on all this. Thomas slumps down the stairs, looking like he's probably a few drinks in despite it being all of midday, and stops at the bottom, leaning against the railing. "Hello, what do you want?" It's not rude so much as... Thomas just seems like he might be over receiving visitors.

Ruiz slips off his shades, and blinks a couple of times as his eyes adjust to the change in light level. The housekeeper receives a terse nod of understanding; he'll not wander off. Besides, it gives him an opportunity to take stock of the place. He's not made, at all, for this sort of opulence; one could easily see him being one of the immigrant hired help, much like the girl who let him in. Cutting the lawn perhaps, or driving one of the Addingtons' cars.

He turns slightly as Thomas makes his way down the stairs, and the flick of his dark eyes suggests he hasn't missed the fact that Margaret is eavesdropping. "Good afternoon, Mr. Addington." What does he want? "I thought we might have a short chat. It shouldn't take too much of your time." He doesn't seem offput by the abruptness. "Outside, perhaps? It's a lovely day."

<FS3> Ruiz rolls Glimmer+Alertness (5 3 2 1 1 1) vs Margaret's Glimmer+Stealth (8 7 5 5 3 2 1)
<FS3> Victory for Margaret.

Well, he can't very well work for the Addingtons if he just wants to wander around using Spanish like it's fine and normal, sheesh.

Anyway, Thomas stays by the staircase and casts a totally subtle glance up toward that slightly ajar door, frowning momentarily. Then it's, "No. No, I think inside is better. It's very hot out, don't you think? Very humid. I'm sorry, should I know who you are?" This is a man who is not all there.

The cop flickers a smile, slight, when Thomas declines his suggestion. He does however step forward, and display his badge before offering his hand. "I'm very sorry. Captain de la Vega, GHPD." He looks more like a ruffian than a police officer, with the bits of ink visible at the backs of his hands, and just under the collar of his shirt. The hard face with its fine lines and scruffy beard likely don't help. "Is there somewhere we can sit down, Mr. Addington? I promise I do not require much of your time. Completely off the record." The latter is accompanied by a slight shift of his eyes toward the top of the stairs, as if it's more for Margaret's benefit.

Thomas's shoulders sag visibly, drooping while he eyes the man's badge. "Sit down, yes. There's somewhere - here, come this way." And he leads into a small sitting room adjacent to the foyer, leaving the door open behind them. It's stuffy as hell in this little room, after all.

"What, uhm. What can I help you with, officer? Should I call my lawyer?" His laugh is slurry, gravelly, drunk.

Ruiz shrugs out of his jacket as they descend deeper into the house. It is stuffy as hell, and he's already sweating just from standing around outside in this damned suit. Much as he did in the foyer, the cop's gaze roves around the sitting room, with a practiced eye for spotting points of ingress and lines of sight. He's wearing a shoulder holster over his shirt, ID badge and gun at his left hip. The jacket's given a snap to shake it out, then set across the back of the nearest chair before he takes a seat.

"As I mentioned, this is off the record. I don't think it will be necessary." To call his lawyer. The younger man smiles slightly, and waits for Thomas to sit. It's a long while before he speaks. Then, "You must be very tired, Mr. Addington." Just that.

This old house could probably be robbed blind by two guys of moderate skill. And Thomas would probably be oblivious to it, based on how inebriated he is in the middle of the day. "Oh, sometimes. Getting old isn't all it's cracked up to be. Drink, uh, officer? Is that right? Captain, maybe." He nods, deciding to go with that. "Drink, captain? We have some nice Vodka in here." Somewhere. He goes over to start pawing through cabinets. "She's forever hiding the booze from me."

"I imagine it isn't." All it's cracked up to be. The captain relaxes back in his chair, and busies himself turning up his shirt sleeves while Thomas fetches him a drink. Never mind that vodka's about as far down the list as it something alcoholic can get; but he's not about to mention this. Flick, flick, flick as he rolls his sleeves up to his elbows. Looks like a convict or something, with all those tattoos. Some of them are pretty, some of them not. "How long has William Gohl been getting you to help him with his dirty work, Mr. Addington?" He voice is maddeningly even.

"Ah." Thomas stops pawing through the cabinets, leaving the pair of them open. Gives the housekeeper something to do later. He lowers his hands from the cabinet and turns back, wearing a grandfatherly smile - if grandfather was a raging alcoholic. "I see you had a chat with Erin's little friends. I told Marge - well, never mind. Can't put the cat back in the bag now, can we." He sighs and folds his arms, looking more through Ruiz than at him. "Officer Captain, Billy's been with me many, many years. But I've never so much as swatted a fly till... well." His watery eyes cast down, unfocusing. "Till July first."

The captain's sitting right where Thomas left him, sprawled comfortably in that mid-century wingbacked monstrosity like he owns it. His dark eyes find and hold the older man's, though the smile isn't returned. "Mm." That's the sum total of his acknowledgement of the observation that he's had a chat with Erin's friends. He watches and waits, posture laconic, gaze anything but. "I see." A beat. "What do you figure happened around July first?"

Sighing heavily, wearily, Thomas casts back through what's got to be a murky memory. "Oh, it just got to be too much. If you ask me," he lowers his voice, looking toward the door he left open so it's all very furtive, "that storm jostled something loose. Jostled? Joggled? Anyway, it knocked something loose, and it's just been so hard ever since then. Marge helps." At which point he lifts his voice again, back to normal conversational volume (+1 because drunk people talk loud). "But you know how it goes."

At which point he looks at Ruiz, smiling wanly. "Or I suppose you don't. Have you ever been really, truly haunted, Officer Captain? It's exhausting."

He's patient, is Ruiz. Doesn't rush the man to try to remember when this all started, to dig back through the weeks and the fog of his inebriation for the information being asked for. He almost looks sympathetic. It just got to be too much. "The storm. Yes, I remember." How could he forget?

"No," is his reply after a few beats, as to whether he's been really, truly haunted. "I can't say that I have." His fingers weave together atop his belly, and his voice remains level even as Thomas's volume wavers. "I am sure your sister means well. I'm sure Erin and her friends do, too. But none of it's really helped. Has it?"

Thomas shakes his head quickly, frowning over at Ruiz. "Now, I wouldn't say that. Marge's been really working hard for me. That's why it's been so quiet the past couple weeks, you see." He taps his temple with his index finger. "But I'm not sure what Erin and Hyacinth and those kids were up to. Too much Scooby Doo, I suppose." He shrugs. "Kids these days. Do you have children, officer? I had two, but my son died."

And by 'died' - he means 'was murdered by me kinda but that's a tricky gray area.'

Silence from the cop, and that steady gaze. He's still waiting for his drink to arrive, though he doesn't bother pointing this out. He does, however, smile ever so slightly at the kids these days comment. It drains away entirely when the man asks if he has children. Twinge of something in his jaw, but it's quite subtle. "No." Just that. Then a long bout of silence before he speaks again. "So how long do you think your sister will be able to keep this up for?" It sounds like an honest question.

That silence is a good time for Thomas to finally figure out the vodka situation. He's pleased with himself for locating the bottle at last, and plonks it onto some side-table along with a pair of glasses, having long-since forgotten whether or not Ruiz asked for a drink. "Not long," he answers with casual honesty. "It's getting to be untenable, this situation. So I'll go away soon," glug glug, he puts booze in cups, "and all will be right with the world."

He smiles woozily and walks a cup over to Ruiz. "I'm very sorry for making your job difficult lately, Officer Captain. It was never my intention."

Ruiz watches the elderly Addington with a slight, thoughtful slanting of his eyes as the man bumbles through finding glasses and spirits. Once Thomas approaches with the cup in hand, he shifts out of his slouch long enough to accept it, and tip it toward his mouth for a sip. Middle of the day drinking? Kind of sort of on duty still? Well, technically his shift ended half an hour ago.

"It's asking a lot of you, Mr. Addington. To leave your home for.." For what? He seems uncertain how to refer to the Facility, and disinclined to call it that. Another sip, a swallow, and a humourless smile. "My job is my job. I know what I signed up for. That said, I wanted to remind you that you have options. And a choice to make." He rests the glass on his knee, and meets Thomas's gaze steadily. "I want to be certain that this ends."

Well, at least Thomas isn't likely to call up the chief and rat Ruiz out for day-drinking. He lowers himself into a seat and sips, nodding despondently about his home and the prospect of leaving it. "We all make sacrifices, right? For the greater good." He lifts his glass to that, then exhales a big sigh before he actually drinks to it. Answering the steady gaze with a sloshy one, he takes time to digest the implications of Ruiz's comments. "So do I. I can't off myself, though. There's money involved. And it doesn't seem right, asking someone else to do it. Plus, between you and me." Hiccough. He leans toward Ruiz, conspiratorily. "What if I die and that just means there're two ghosts? Not a good solution."

"Yes." To the sacrifices. The greater good. Ruiz is a captain in the police force; one doesn't rise to his rank without a shitload of sacrifices and a lifetime's worth of greater good. The cop watches Addington steadily for a long moment, then finishes off his drink in a single, impressive pull, and sets the empty glass back down again. "I want you to think about it. About your options. There will come a point of no return, when the choice will be made for you. Not by me, but I think you know as well as I do that that time will come. I urge you to think about how you want this to end, while you have the opportunity, Mr. Addington." And then, unless stopped, he's moving to his feet in preparation to go.

If he was sober, this might mean more. "I appreciate your position, Officer Captain." Thomas smiles up at Ruiz for a second, then pushes up to his feet, despite having just sat down. "I... will do my best, for as long as I can. Until the time comes." He smiles shakily, and then opens a hand toward the door to the foyer. "Let me see you out." Just don't ask him to heel-toe a straight line.

Sobriety is overrated. Ruiz would probably happily indulge himself further, if he wasn't here in a semi-official capacity, and subject to Margaret's not-so-tender mercies just a room away. His indolent slouch in the chair shifts to a lurksomeness when he stands. His dark eyes are fixed on Thomas's for a long moment, as if to drive home that point. Sobriety or not. "Thank you," seems to have nothing to do with the offer to see him out. He doesn't elucidate, but prowls for the door without another word.


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