2020-02-11 - All in the family.

Enzo and Hyacinth show up at Margaret's to try to get to the bottom of certain matters. They kinda do?

IC Date: 2020-02-11

OOC Date: 2019-10-02

Location: Wherever the Addingtons Live

Related Scenes:   2020-02-10 - Circling the wagons.   2020-02-18 - Addington family field trip   2020-02-18 - We Need To Talk About Thomas

Plot: None

Scene Number: 3919

Social

As has been previously established, Margaret's house is somewhere on Bayside. It has a nice, long driveway, so it's set back from the street. Everything seems perfectly normal on the way up there. From the outside, nothing is even remotely amiss.

This will be fine.

Coffee. Xanax. Leg. A meticulous amount of time to put her face and self together because she is never showing up in front of her great-auntie, Margaret Addington, in distress. Someone has to go do this battle of wills and Hyacinth, in all of her bullheadedness, has decided to put an end to it. Besides, as much as she fears her grandfather's involvement in her accident and though he killed her father, his son... well it's complicated. He was still her favourite person up until that point which makes feelings in the last 6 months, well, inconvenient to say the least.

Her Tesla pulls itself up in the long drive, her mind expanding and poking out to get a read of the place pulling up. She knows Margaret keeps track of minds coming and going, and frankly Hyacinth learned the importance of doing it from watching her example. It's entirely fair if not justified to her to only do the same in return.

There's a moment she looks for persons on site, and her brother.

For the record, Enzo is only doing this because Hyacinth counts as maybe the one or two people that he a actually likes and cares about. Otherwise he'd really rather not be here. There's bad books to write and job interviews to lie about, after all. He's a busy man. He's made it on time, pulling up in his car around the same time as Hyacinth. Getting out, he stares grimly up the driveway at his not grandmother's house. Not, we repeat, not his grandmother's house.

Try as she might, Hyacinth will find it impossible to reach the minds within the house. There's the gate guard down the long driveway that she can 'feel', but anyone inside the house? It's like the house doesn't exist to her mentally. Like it's one big, blank, null space.

There's also a noticeable lack of people. Usually there's at least the gardener and some various laborers mulling around the grounds, but aside from the gate guard that waved them through? There's nothing and nobody. Maybe they are all in the house - and thus their minds can't be felt - but this is weird. Very unusual.

Hyacinth stands out of her car staring at the house. Odd. So very, very odd. She does, as a test, try to float her keys in her hand to see if it's perception, her, them. Look it's for science. Science is like important and stuff. It's not because she's nosy(she is) or feeling particularly infringed upon (she does).

Looking to her brother she takes a deep breath and says "We're going in." She's not budged yet, but she's decided. "The house feels weirdly empty. Really weird. Really empty. Strangely like it's not... at all." And that's all the faux-science to be said here. There's a faint smile to her brother as she begins that walk of hers up to their usual door of entrance, "Let's go get plot fodder for your next book."

"The house always feels weirdly empty." Does it? It probably doesn't feel this kind of weirdly empty, but Enzo is skeptical of just how full of life it normally is on a good day. He shoves his hands into the pocket of his long coat and falls into step next to her, eyeballing the place suspiciously as they approach the door. They get to it and he glances at his sister and then steps forward, ringing the doorbell. Like one does.

Hyacinth finds herself able to float her keys ... at least while she's standing by the Tesla. But when the pair of them approach the door? A new feeling creeps. This is one of normalcy; it settles thickly and suddenly, the weight of the world on their shoulders and no psychic powers with which to solve them. It's a feeling Hyacinth should recognize (but not you, Enzo, sorrynotsorry) - the house, or at least this front room, has been well and truly nulled.

The doorbell echos in the hallway. If either of them have keys to the house, they'll find that they no longer work. And it takes a considerable amount of time before footsteps can be heard inside, the sound of someone approaching the door to answer the call.

The door opens but faintly. A crack. Eyeball-width. On the other side of it, there's a sliver of Margaret's face visible. Even ignoring everything else that's weird about this visit, the fact that Margaret is opening the door herself? Is un-fucking-heard of. The housekeeper answers the door, not Margaret.

"Children," she says simply, without widening the crack. "What do you want?" She's not even trying to pretend she's nice; this is the old bitch at her old bitchiest.

The door opens and it's their great aunt, not grandmother, that answers the door. Enzo's eyes run up and down the crack of space that she's allowed to be spared so she can stare out at them. Suspicious. He glances briefly at Hyacinth and squints at Margaret. I am putting this pose here before I close down this screen for the night.

Through that narrow slit in the door, there's the glimpse of a dark and quiet house behind her. Which is also weird, since normally the housekeeper would have come by and opened the drapes by now. But it's all gloom in the background and Margaret standing in the barely open door in the foreground. "If it's about Thomas, you're too late." In a rare moment of humanity, her eyes unfocus briefly, looking through the two of them with a wash of sorrow, and she actually has to catch a steeling breath before she's able to conclude, "He's gone."

Humanity aside, she refocuses her eyes on the two in front of her. "How did you know it was him? Did he tell you? That old fool."

Enzo frowns now, once again glancing to his sister and then back to great aunt Margaret. Hyacinth is probably able to tell from a lifetime of looking at his face that he has pretty much no idea what's going on here or what the old lady is talking about. But maybe Margaret won't! So he affects a concerned expression and manages a tight smile, "Where is he?" he asks and then lifts his shoulders to shrug. "Yes. Just enough to know that you did what you had to do."

"He never could keep his mouth shut, you know." Margaret, at her most verbose. She frowns at Enzo, her mouth pressed to a hard line. The door opens a smidge more, but this definitely isn't an invitation to come inside. She just wants to be able to see them both at once. "He's gone," she reiterates to Enzo, like duh, she just said that. The look she shifts to Hyacinth is a pleading one - as one sister to another, can she please check her bro?

But, "Yes. What I had to do. Because no one else has the fortitude to do the hard things. Not Thomas, not you stupid children. All the lights will go out - mine, yours, all of them - and you'll all just disappear in the darkness. And it'll serve you right."

She might have cracked a little, guys.

Enzo just smiles politely at Margaret, like he's totally oblivious to that glance she spared his sister. It's too bad, Enzo can't be contained. Like Thomas (apparently) he's doomed to opening his mouth. Which means he's going to just going to push his luck here a bit more. "What else needs to be done? We're your family, we came to help."

They did?

"Especially with him gone."

A dry, skeptical chuckle leaves the old woman. She might have cracked a little, but she hasn't gone entirely off the deep end, pssh. "I just bet you have. Come to help." She snickers some more. "Come to help do what? Ruin things, I'm sure."

With a sobering sniff, she looks the two of them up and down and finds a more Margaret-appropriate angle at which to hold herself, straightening with a hand on the doorknob and her chin lifted. "We have to stop the ones that want to close the doors and turn out the lights. It was easier when they were all Baxters, but now - " She fans the hand not holding the knob. "They're sneaky. They've always been sneaky. Take your eyes off of them for an instant? They'll round you up and burn you at the stake."

"I have been accused of ruining things in the past," Yep, he's definitely been accused of stuff like that, it happens when you're habitually self-centered. "But I don't want the doors closed and the lights turned off. So consider me someone with a vested interest in survival." He glances down at her hand on the doorknob and then slowly rolls that gaze back up to her face. "You're the family matriarch, how do we burn the people that want to round us up before they tie us to a stake? I don't look good with crispy skin."

Not grandmother, Enzo. We have that mercy! Hyacinth stands, maybe a little taller whether meaning to or not is her bulwark against the brim-fire of scrutinizing. Is Margaret scary as hell? Yes and truthfully it's magnificent. Quietly she explains, "I never told Enzo." Oh he's bereft of some details here. When Margaret says 'he's gone' Hya's eyes flash with emotion that seems to be held at bay from the rest of her face. She has a lot of strong, unresolved feelings on this and admittedly not all of them terrible. Her hand extends to Enzo's elbow maybe in a gesture of bro, breathe, or perhaps I will fuck up some Baxters if they try to touch any more of my shit.

"We are sorry for your loss." She pauses and quietly adds, "Our loss." There's a small frown and her weight shifts to her back foot staving off the war or at least standing down. "We were visited by a vision. We don't want a repeat situation and-" She pauses squinting sidelong at her brother for the clearly self-serving reason posted... but can't argue the math. With a sigh she adds, "Yes, and my brother looks like a human handbag when he tans. He's not... wrong but I feel there are stronger reasons we can help the sum of us." She pauses and extends the olive branch she expects them to be smacked with. "Decisions are hard, and survival is key, and this isn't an age anyone can do everything on their own."

"Not if they are going to become more deft with their efforts."

Like she can't believe he just said that to her, Margaret blinks at Enzo and replies, "Of course you don't. Why would you? That would just be ridiculous." One more sniff of displeasure, and she shakes her head at Hyacinth's offer of condolences. Her attention seizes on something, though: "What vision?"

Hold on, she raises a warning finger. "If it's the one about the Ferris wheel, I'll not hear it. I was there. I know exactly what I saw."

Hyacinth holds not her brother's elbow loosely all the same. It might be assurance or a silent inform of don't run out of here on me. Not that he's suspect to, but all the same she wouldn't blame him. Her chin picks up and asks with her eyebrow arching, "Is it about the worms in the ferris wheel? I've heard... things." There's a pause and she offers, "No, one we had where we were you and Grandfather for a time, actually. It was interesting perspective. I'm willing to tell you what we saw if you are." Perhaps a play on words or not at all.

Enzo was probably going to say something like 'oh well since you were in this one too you probably don't want to hear about it' but he wisely closes his trap when Hyacinth chimes in again. More polite smiling.

"What? About the Ferris wheel?" Margaret tches, shifting so she can lean a hip against the door that she continues to rudely refuse to open for them. "What's there to tell? Another Baxter, another disaster." She might have a few bones to pick with the Baxters. "One of the little monsters put a curse on the thing, killed all those children. Because they don't care, they never have. They're not on the side of us, the living, the people."

Ramble ramble.

Her gaze suddenly sharpens back on Hyacinth, then hones in on Enzo. He seems like a talker. "Now you go."

Um, excuse you, Margaret, Enzo was politely smiling and keeping his trap shut! But if she insists (because he is a talker, damnit), he'll go with it: "It was you and Grandfather talking. You were saying that's all of them. That you had no choice. And Grandfather was saying, 'If you say so, Marge' over and over."

Hyacinth is never too proud to be curious. This is how one knows things. It's also how you lose a leg to the damn saw mill. Her eyes study Margaret's carefully composed countenance. "What gain is there to kill children on a Ferris Wheel? Or the Merry-go-Round." Her expression tightens

Matters at hand.

"There are very difficult choices to be made to protect the living it seems."

With a very un-Margaret like giggle, Margaret giggles. "He never could keep his mouth shut." Yes, she said that already. But it makes her titter delightedly.

Ahem. Where was she. Right. The Baxters.

"It's how they do it. It's how you all did it when you decided to have a funeral for William Gohl. They just - " She makes hand-waving motions, like the sort of back-of-the-hand bat she might use as a gesture to the housekeeper. " - wait till the light is especially bright, then turn it out." With a distasteful sniff, "Thomas never understood it properly, either."

Hyacinth arches a slow eyebrow, but notes all of the land of NOPE around the house as well. Smart, but she doesn't remember he being able to do that per se. Something changed. Something else notable changed.

Her head tilts curious, "Wasn't my idea, but yes. I suppose that's the same. What's dead never stays dead in Gray Harbor. So in this, can we discuss so we can gather a plan together to defend the family when..." It hits her and her words halt. She pauses and continues, "The... vision was curious. is it true as they say the sawmill is haunted or did the Baxters curse that too?" She's not even angry so much as focusing on the math at hand. She glances to Enzo to see how he's handling and reading this and back.

With a sigh she asks what she should not but does so in the most reasonable way she knows how: directly. "I'm sorry Grandfather failed to do so. Things have gotten slack with a lack of information. Without information we cannot make sound judgments and align to the directive. And now? Frankly I'm worried of something happening to the both of you, and that knowledge becoming lost and the family and this city falling apart." It's not that she's mean she just like winning and seeing the family's things not get wrecked. The family's things being the whole damn town.

"You're not stupid, Hyacinth." Wait. Actually. Margaret squints at the two of them on her doorstep, peering from the gloomy interior. "You're not the stupid ones, are you? No." That last is decisive, with a shake of her head. She sighs and drops the matter of their collective intelligence. "Child, I could spend the rest of my life trying to teach you what I've learned. Still, you wouldn't understand the half of it. But you are family. And there are trying times ahead for our family, I'm afraid."

Sadness sparks in her eyes when she adds, "You may wish me to disinherit you again before we're done." Which sounds a lot like she's walking back her earlier edict, at least? So that's something? "People will never understand that we had to get the bodies out of the city. They'll only hear that we dug them up and sawed them to bits." A hand presses to her cheek, and the sad spark dims while she sifts through the memory. "They take the light with them when they go. They call it 'closing doors.'"

As much as this will go down on the calendar as a day Margaret gave her a compliment the other side is, well, she did have their grandfather murder their father. When Margaret says there's trying times ahead she's listening. If only because a serial killer ghost killing Addington family members was 'manageable' this should be a real treat and frankly? They all have things to do! ...like breathe and be better than other people so they have something to aspire to. Being a role model is difficult just as being a Heather is hard, okay?!

She listens to the bit about the saw mill and sighs giving the old woman an understanding nod, "Well things are easier to move piecemeal." Grim, sure, but like it's just a spatial factoid. She clarifies, "The light? The shimmer that shines that makes reality bend? That light I'm taking it." Looking around she addresses the null zone curious, but not accusing, "There's certainly none here right now. Is this deliberate?" Her expression softens from clinical assessment a fraction.

"Yes." Deliberate. "I figured some of you would be along any time, so I had this ready to go." Margaret sniffs again, this time with a defensive toss of her chin. "I don't know what's happened yet, and I don't want you little lunatics doing anything stupid at my house." Wherever it is that she lives, she's very partial to it.

"Now if you will excuse me, I'm very tired. It's been a terrible night, and I'm ready for bed. Go and figure out what your grandfather did. I'm sure he fucked it up somehow, but it's always better to get ahead of these things. If you can."

Hyacinth draws a deep breath pulling her up to her full height, dipping a nod of agreement watching her. "Good." They may have spent the summer being at odds but Hyacinth is just allergic to wastefulness and can respect good planning. Looking to her brother and back she assures, "I'll find out. It also seems he and father are a bit... indisposed. The Sawmill will need a caretaker." And yes, she wants that damn thing in all the will changes, or alleged will changes, she still wants that damn thing, but why would a carpenter not? And why would she not want to own the thing that tries to consume her, and had in part?

Does she expect an answer though right now? Not in the slightest. "We will find out what happened." She looks sidelong to her brother stating, "I have an inking where to look." Turning back to their great aunt she has the grace to not keep her detained. All her careful plans went to shit and grandfather apparently finally broke. Part of her misses him, and the other part is still angry at a lack of any personal convictions. "You should have your rest. Thank you. For meeting with us. Let's see what we can't do." Looking to her brother she give his elbow a squeeze. and makes a mental not for herself on the range of such things. Curious. All of this curious.

With a sort of dull blink at Hyacinth, like she can't believe what she's hearing, Margaret comes back about the sawmill with, "Then take care of it." She could put a 'duh' on the end of that, and it'd sound spot-on. "I'll have the lawyer work on that on Monday."

And that's when she closes the door in their faces. The conversation with Margaret is officially over.


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